Los archivos de Beatriz González = : Beatriz González's archives /

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Bibliographic Details
Author / Creator:González, Beatriz, 1938-, artist.
Uniform title:Works. Selections
Edition:Primera edición.
Imprint:Bogotá, Colombia : Banco de La República, 2020.
Description:104 unnumbered pages : illustrations ; 32 cm. + 1 booklet [118 pages, 21x15 cm]
Language:Spanish
English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12522322
Hidden Bibliographic Details
Other authors / contributors:Gutiérrez Gómez, Natalia, curator.
Ruiz Díaz, José, curator, writer of supplementary textual content.
Museo de Arte Miguel Urrutia (Bogotá, Colombia), host institution, issuing body.
Banco de la República (Colombia), issuing body.
ISBN:9789586644167
Notes:Booklet separated in 14 sections, each section inserted between larger pages.
Exposed spine binding, pages bound with white plastic 2-hole fastener clip.
Published on the occasion of the exhibition held at the Museo de Arte Miguel Urrutia (MAMU) from October 30, 2020 to February 22, 2021.
Cover Title.
Includes bibliographical references.
Texts in Spanish and English.
Summary:In addition to her life as a noted artist, Beatriz Gonzáles (b. Bucaramanga, Colombia 1938) built a large bibliographic and documentary archive around art in Colombia. The archive -which she has collected since 1960- includes newspaper clippings, exhibition catalogues, posters, arts books, among other things, and have allowed her to write texts in relation to the history of art in Colombia. The exhibition was digital and face-to-face (until December 8, 2020 upon prior reservation), and the objective of the virtual tour was to be able to travel through the artist's archive. The archive is divided into three main axes: graphic sources for her work, news and publications about her career, and information related to the development of art in Colombia. The first two axes correspond to her artistic production and the third to her work as a historian and curator, A look at her archives confirms that González' art is intimately linked to the images we consume on a daily basis.