Trauma in contemporary literature : narrative and representation /
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Imprint: | New York, NY : Routledge, 2014. |
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Description: | ix, 260 pages ; 24 cm. |
Language: | English |
Series: | Routledge interdisciplinary perspectives on literature ; 26 Routledge interdisciplinary perspectives on literature ; 26. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/9981828 |
Table of Contents:
- Introduction
- Part I. Global Trauma and the End of History
- 1. After the End: Psychoanalysis in the Ashes of History
- 2. Apocalypses Now: Collective Trauma, Globalization and the New Gothic Sublime
- 3. In War Times: Fictionalising Iraq
- Part II. Trauma and the Power of Narrative
- 4. The Turn to the Self and History in Eva Figes' Autobiographical Works: The Healing of Old Wounds?
- 5. History, Dreams, and Shards: On Starting Over in Jenny Diski's
- 6. Plight vs. Right: Trauma and the Process of Recovering and Moving beyond the Past in Zo Wicomb's Playing in the Light
- 7. The Burden of the Old Country's History on the Psyche of Dominican-American Migrants: Junot Daz's The Brief Wondrous Life of Oscar Wao
- 8. Seeing It Twice: Trauma and Resilience in the Narrative of Janette Turner Hospital
- Part III. Trauma and the Problem of Representation
- 9. H.D.'s Twice (Un)Told Tale
- 10. 'Time to Write them Off'? Impossible Voices and the Problem of Representing Trauma in The Virgin Suicides
- 11. Fugal Repetition and the Re-enactments of Trauma: Holocaust Representation in Paul Celan's 'Deathfugue' and Cynthia Ozick's The Shawl
- 12. Of Ramps and Selections: The Persistence of Trauma in Julian Barnes's A History of the World in 10 Chapters
- 13. The Trauma of Anthropocentrism and the Reconnection of Self and World in J. M. Coetzee's
- 14. 'There's that curtain come down': The Burden of Shame in Sarah Waters' The Night Watch
- 15. 'Welcome to contemporary trauma culture': Foreshadowing, Sideshadowing and Trauma in Ian McEwan's Saturday