Words, space, and the audience : the theatrical tension between empiricism and rationalism /
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Author / Creator: | Bennett, Michael Y., 1980- |
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Edition: | 1st ed. |
Imprint: | New York : Palgrave Macmillan, 2012. |
Description: | x, 179 p. ; 23 cm. |
Language: | English |
Subject: | Theater -- Philosophy. Theater audiences -- Psychology. Drama -- History and criticism. Drama. Theater audiences -- Psychology. Theater -- Philosophy. Criticism, interpretation, etc. |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/8865447 |
LEADER | 02636cam a2200457 a 4500 | ||
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001 | 8865447 | ||
003 | ICU | ||
005 | 20130130151100.0 | ||
008 | 120109s2012 nyu b 001 0 eng | ||
010 | |a 2011052922 | ||
020 | |a 9780230116801 (alk. paper) | ||
020 | |a 0230116809 (alk. paper) | ||
035 | |a 8865447 | ||
035 | |a 2011052922 | ||
035 | |a (OCoLC)772450040 | ||
040 | |a DLC |b eng |c DLC |d YDX |d BTCTA |d YDXCP |d UtOrBLW | ||
042 | |a pcc | ||
082 | 0 | 0 | |a 822/.909 |2 23 |
090 | |a PN2039 |b .B46 2012 | ||
100 | 1 | |a Bennett, Michael Y., |d 1980- |0 http://id.loc.gov/authorities/names/n2010066875 |1 http://viaf.org/viaf/139799498 | |
245 | 1 | 0 | |a Words, space, and the audience : |b the theatrical tension between empiricism and rationalism / |c Michael Y. Bennett. |
250 | |a 1st ed. | ||
260 | |a New York : |b Palgrave Macmillan, |c 2012. | ||
300 | |a x, 179 p. ; |c 23 cm. | ||
336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: words, space, and the audience -- Victorian ideals: Wilde performances in The importance of being earnest and Salome -- After the great war: contextualizing the self in Italy and Six characters in search of an author -- 1952 Paris: Waiting for Godot and the great quarrel -- Cold War tactics: fear in Who's afraid of Virginia Woolf? -- Conclusion: the epistemological quandry over improvisation, impermenance, and lack of a script in performance art: an interview with Coco Fusco. | |
650 | 0 | |a Theater |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh2008112852 | |
650 | 0 | |a Theater audiences |x Psychology. |0 http://id.loc.gov/authorities/subjects/sh94004081 | |
650 | 0 | |a Drama |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85039329 | |
650 | 7 | |a Drama. |2 fast |0 http://id.worldcat.org/fast/fst00897468 | |
650 | 7 | |a Theater audiences |x Psychology. |2 fast |0 http://id.worldcat.org/fast/fst01149333 | |
650 | 7 | |a Theater |x Philosophy. |2 fast |0 http://id.worldcat.org/fast/fst01149273 | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 http://id.worldcat.org/fast/fst01411635 | |
903 | |a HeVa | ||
929 | |a cat | ||
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928 | |t Library of Congress classification |a PN2039 .B46 2012 |l JRL |c JRL-Gen |i 1068214 | ||
927 | |t Library of Congress classification |a PN2039 .B46 2012 |l JRL |c JRL-Gen |e TRIM |b 107217837 |i 9079739 |