Toward a general theory of acting : cognitive science and performance /
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| Author / Creator: | Lutterbie, John Harry, 1948- |
|---|---|
| Edition: | 1st ed. |
| Imprint: | New York : Palgrave Macmillan, 2011. |
| Description: | x, 269 p. ; 22 cm. |
| Language: | English |
| Series: | Cognitive studies in literature and performance Cognitive studies in literature and performance. |
| Subject: | Acting -- Philosophy. PERFORMING ARTS / Acting & Auditioning. PERFORMING ARTS / Theater / Stagecraft. PERFORMING ARTS / Theater / General. Acting -- Philosophy. |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/8403456 |
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| 020 | |a 0230113354 (hardback) | ||
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| 035 | |a (OCoLC)682891256 | ||
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| 042 | |a pcc | ||
| 050 | 0 | 0 | |a PN2061 |b .L84 2011 |
| 082 | 0 | 0 | |a 792.02/801 |2 22 |
| 084 | |a PER001000 |a PER011040 |a PER011000 |2 bisacsh | ||
| 100 | 1 | |a Lutterbie, John Harry, |d 1948- |0 http://id.loc.gov/authorities/names/n89659278 |1 http://viaf.org/viaf/263161684 | |
| 245 | 1 | 0 | |a Toward a general theory of acting : |b cognitive science and performance / |c John Lutterbie. |
| 250 | |a 1st ed. | ||
| 260 | |a New York : |b Palgrave Macmillan, |c 2011. | ||
| 300 | |a x, 269 p. ; |c 22 cm. | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
| 338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
| 490 | 1 | |a Cognitive studies in literature and performance | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The language of acting -- Theatre and dynamic systems theory -- The actor's tools -- Technique -- Improvisation -- The actor's score -- In performance. | |
| 520 | |a "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- |c Provided by publisher. | ||
| 650 | 0 | |a Acting |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh2009113489 | |
| 650 | 7 | |a PERFORMING ARTS / Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Theater / Stagecraft. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General. |2 bisacsh | |
| 650 | 7 | |a Acting |x Philosophy. |2 fast |0 http://id.worldcat.org/fast/fst00796155 | |
| 830 | 0 | |a Cognitive studies in literature and performance. |0 http://id.loc.gov/authorities/names/no2008136463 | |
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| 927 | |t Library of Congress classification |a PN2061 .L84 2011 |l JRL |c JRL-Gen |e TRIM |b 104165447 |i 8934428 | ||
