Dürer /

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Bibliographic Details
Author / Creator:Wolf, Norbert, 1949-
Imprint:Munich ; London : Prestel, 2010.
Description:299 p. : ill. (some color) ; 39 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8397236
Hidden Bibliographic Details
Varying Form of Title:Title from slipcase spine: Albrecht Dürer.
Other authors / contributors:Dürer, Albrecht, 1471-1528.
ISBN:9783791344263 (hbk.)
3791344269 (hbk.)
Notes:Includes bibliographical references (p. 286-294) and indexes.
Summary:"Drawing on the latest research, this luxurious volume presents an exciting new interpretation of Dürer, both as a man and as an artist. Dürer's prints and drawings inspired centuries of artists both during his life and after his death. Yet his talent as a painter and colorist, and his enthusiasm for the scientific world have not been widely appreciated. Dürer's influence was both international and intergenerational; indeed Picasso claimed tohave been inspired by the sixteenth-century artist. Reproduced in stunning detail and including illustrations of Dürer's most famous prints and drawings, a catalog raisonne of his paintings, and biographical research, this book presents a Dürer for the twenty-first century. Producing more self-portraits than any other artist of his day; mass marketing his best-selling prints; even inventing his own monogram logo; Albrecht Dürer was commercially astute long before today's generation of slick self-promoters and savvy mega-bucks artists. There are 55 extant Dürer's, of which 17 are in dispute. Using the very latest scientific research, this book puts all arguments to bed resulting in the definitive catalogue raisonne of the paintings. Not since 1971 has such a feat of painstaking research been attempted. After an almost 40-year wait, the truth behind the man and his art can finally be revealed."--Publisher's website.
Review by Choice Review

This beautifully produced volume attempts to address the glaring need for an up-to-date and comprehensive analysis of the art of Albrecht Durer. Wolf is an art historian based in Munich and a prolific writer of art history books for general audiences on various subjects, including an earlier contribution on Durer. In this volume, competently translated from the German, Wolf provides a basic biography and selective critical evaluation of the artist, followed by an especially useful catalogue of surviving paintings. Wolf's interpretations, though tersely articulated and at times unorthodox, are presented directly and with conviction. The visuals are simply stunning. This folio-size volume contains about 200 high-quality illustrations ranging from the 15 full-page woodcuts of The Apocalypse (1498) to rare color reproductions of almost every extant painting viably attributed to Durer. The details are invaluable. For further study, the text includes informative notes and a general bibliography (albeit with mostly German sources). Ultimately, this is a generally sound and visually unparalleled book for an introductory overview of Albrecht Durer. Summing Up: Recommended. Lower-division undergraduates through faculty/researchers; general readers. A. V. Coonin Rhodes College

Copyright American Library Association, used with permission.
Review by Choice Review