The performance studies reader /

Saved in:
Bibliographic Details
Imprint:London ; New York : Routledge, 2004.
Description:xix, 329 p. ; 25 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8352953
Hidden Bibliographic Details
Other authors / contributors:Bial, Henry, 1970-
ISBN:0415302404 (hbk. : alk. paper)
9780415302401 (hbk. : alk. paper)
0415302412 (pbk. : alk. paper)
9780415302418 (pbk. : alk. paper)
Notes:Includes bibliographical references and index.
Table of Contents:
  • Contributors
  • Acknowledgements
  • Introduction
  • Part I. What is performance studies?
  • 1. Performance studies: the broad spectrum approach
  • 2. Disciplines of the text: sites of performance
  • 3. The liminal-norm
  • 4. Professing performances: disciplinary genealogies
  • 5. Performance studies
  • Part II. What is performance?
  • 6. Performances: belief in the part one is playing
  • 7. Blurred genres: the refiguration of social thought
  • 8. What is performance?
  • 9. Life the movie
  • Part III. Ritual
  • 10. Liminality and communitas
  • 11. "Performance" and other analogies
  • 12. "The blood that runs through the veins": the creation of identity and a client's experience of Cuban-American santeria dilogun divination
  • 13. Saint Orlan: ritual as violent spectacle and cultural criticism
  • Part IV. Play
  • 14. The nature and significance of play as a cultural phenomenon
  • 15. A theory of play and fantasy
  • 16. The ambiguity of play: rhetorics of fate
  • 17. Just doing
  • Part V. Performativity
  • 18. How to do things with words: lecture II
  • 19. Performative acts and gender constitution: an essay in phenomenology and feminist theory
  • 20. Introduction to Performativity and Performance
  • 21. Theater and anthropology, theatricality and culture
  • Part VI. Performing
  • 22. A dialogue about acting
  • 23. The actor's technique
  • 24. A dream of passion
  • 25. Presenting and re-presenting the self: from not-acting to acting in African performance
  • Part VII. Performance processes
  • 26. First attempts at a stylized theatre
  • 27. The oral artist: training and preparation
  • 28. The performance text
  • 29. The deep order called turbulence: the three faces of dramaturgy
  • Part VIII. Global and intercultural performance
  • 30. Performing ethnography
  • 31. Of mimicry and man
  • 32. Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre
  • 33. Reverend Billy: preaching, protest and post-industrial flanerie
  • 34. Performance studies: interventions and radical research
  • Index