Cinema and colour : the saturated image /
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Author / Creator: | Coates, Paul, 1953- |
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Imprint: | Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2010. |
Description: | 178 p. : col. ill. ; 26 cm. |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/8302490 |
Table of Contents:
- COLOUR SYSTEMS: ON THE DIALECTICS OF FILMIC COLOUR
- A. History and Theory
- 1. Introduction: Theorizing Colour and Ambivalence
- 2. The Moment of Colour: Colour, Modernism and Abstraction (Red Desert, Deux ou trios choses que je sais d'elle)
- B. Monochrome and the Primaries
- 3. Colour and/as Monochrome (The Lives of Others, Mother, Solaris, Zentropa)
- 4. On the Dialectics of Filmic Colour (in general) and Red (in particular) (Three Colours: Red, Red Desert, Cries and Whispers, The Double Life of Véronique)
- 5. Colour declensions: from Yellow to Green to Blue (Curse of the Golden Flower, The Double Life of Véronique, Elvira Madigan, Marnie, Le Mépris, Pan's Labyrinth, Three Colours: Blue)
- C. Hommage a L'Amérique
- 6. Melos, Drama, Melodrama: From Godard to Sirk to AntonioniâÇ (Une femme est une femme, Les Parapluies de Cherbourg, Singin' in the Rain, All that Heaven Allows, The Oberwald Mystery)
- 7. Colour and/as Fantasy: from the Rainbow to the Jewel (The Wizard of Oz, Vertigo)
- D. Between Monochrome and Colour: Suffering and The Unrepresentable
- 8. The Colour of Suffering (Fotoamator, Night and Fog, Schindler's List, Hear My Cry)