New computational paradigms for computer music /
Saved in:
Imprint: | Sampzon : Delatour ; Paris : IRCAM, 2009. |
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Description: | 186 p. : ill. ; 26 cm. |
Language: | English |
Series: | Musique-sciences Collection Musique/sciences. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/8158791 |
MARC
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003 | ICU | ||
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020 | |a 9782752100542 | ||
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035 | |a 8158791 | ||
035 | |a (OCoLC)436627773 | ||
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050 | 0 | 0 | |a ML74 |b .N46 2009 |
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245 | 0 | 0 | |a New computational paradigms for computer music / |c edited by Gérard Assayag and Andrew Gerzso. |
260 | |a Sampzon : |b Delatour ; |a Paris : |b IRCAM, |c 2009. | ||
300 | |a 186 p. : |b ill. ; |c 26 cm. | ||
336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
490 | 1 | |a Musique-sciences | |
500 | |a Proceedings of the colloquium New computational paradigms for computer music, June 11, 2007, IRCAM, Paris, France. | ||
504 | |a Includes bibliographical references. | ||
505 | 0 | |a Foreword / Gérard Assayag, Andrew Gerzso and Peter Van Roy -- Time, notation and persepctive / Andrew Gerzso -- Programming paradigms for dummies : what every programmer should know / Peter Van Roy -- Designing open-ended languages : an historical perspective / Pierre Cointe -- FAUST : an efficient functional approach to DSP programming / Yann Orlarey, Dominique Fober and Stéphane Letz -- Concurrent constraint calculi : a declarative paradigm for modeling music systems / Carlos Olarte, Camilo Rueda and Frank D. Valencia -- Improvising formalisation : conversational programming and live coding / Julian Rohrhuber and Alberto de Campo -- Time and perception in music and computation / Alexandre R.J. François -- Combinatorics, randomness, and the art of inventing / Philippe Codognet -- Calculation, interaction and reasoning : how can a computer take part in creation? / Carlos Agon. | |
650 | 0 | |a Music |x Computer programs |v Congresses. | |
650 | 0 | |a Programming languages (Electronic computers) |v Congresses. |0 http://id.loc.gov/authorities/subjects/sh2008108876 | |
653 | |a Computer music | ||
650 | 7 | |a Music |x Computer programs. |2 fast |0 http://id.worldcat.org/fast/fst01030303 | |
650 | 7 | |a Programming languages (Electronic computers) |2 fast |0 http://id.worldcat.org/fast/fst01078704 | |
655 | 7 | |a Conference papers and proceedings. |2 fast |0 http://id.worldcat.org/fast/fst01423772 | |
650 | 7 | |a Elektronische Musik. |2 idsbb | |
650 | 7 | |a Musik |x Datenverarbeitung. |2 idsbb | |
700 | 1 | |a Assayag, Gerard. |1 http://viaf.org/viaf/17349325 | |
700 | 1 | |a Gerzso, Andrew. |0 http://id.loc.gov/authorities/names/n89613093 |1 http://viaf.org/viaf/21282395 | |
710 | 2 | |a IRCAM (Research institute : France) |0 http://id.loc.gov/authorities/names/n83011459 |1 http://viaf.org/viaf/137748887 | |
830 | 0 | |a Collection Musique/sciences. |0 http://id.loc.gov/authorities/names/no2007065608 | |
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