Hidden Bibliographic Details
Varying Form of Title: | Disc label title: Salò, or, The 120 days of Sodom Salò, o, Le centoventi giornate di Sodoma Salò, the one-hundred and twenty days of Sodom 120 giornale di Sodoma 120 days of Sodom
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Other title: | Salò d'hier à aujord'hui. Salò yesterday and today. Fade to black. La fin di Salò. The end of Salò.
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Other uniform titles: | Pasolini, Pier Paolo, 1922-1975.
Grimaldi, Alberto.
Citti, Sergio.
Bonacelli, Paolo, 1939-
Cataldi, Giorgio.
Quintavalle, Uberto Paolo.
Valletti, Aldo.
Boratto, Caterina.
De' Giorgi, Elsa.
Surgère, Hélène, 1928-
Saviange, Sonia.
Sade, marquis de, 1740-1814. 120 journées de Sodome.
Voslion, Amaury.
Paul-Boncour, Vincent.
Kermode, Mark.
Algar, Nigel.
Sesti, Mario.
Hendrickson, Kim.
Pellegrini, Ines, 1954-
Delli Colli, Tonino.
Morricone, Ennio.
Bartlett, Neil, 1958-
Breillat, Catherine.
Greene, Naomi, 1942-
Rohdie, Sam, 1939-
Chiesi, Roberto.
Indiana, Gary.
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Other authors / contributors: | BIM Distribuzione.
Indigo Film (Firm)
Auditorium Parco della musica (Rome, Italy)
Carlotta Films.
October Films.
FilmFour (Firm)
Metro-Goldwyn-Mayer.
Produzioni Europee Associate.
Productions Artistes associés.
Criterion Collection (Firm)
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ISBN: | 9781604650549 1604650540
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Notes: | Edition from container; series numbering from container spine. Originally produced as an Italian motion picture in 1975. Director of photography, Tonino Delli Colli ; editing, Nino Baragli ; music, Ennio Morricone. Paolo Bonacelli, Giorgio Cataldi, Umberto P. Quintavalle, Aldo Valletti, Caterina Boratto, Elsa De Giorgi, Hélène Surgere, Sonia Saviange, Tatiana Mogilansky, Susanna Radaelli, Giuliana Orlandi, Liana Acquaviva, Rinaldo Missaglia, Giuseppe Patruno, Guido Galletti, Efisio Etzi, Claudio Troccoli, Fabrizio Menichini, Maurizio Valaguzza, Ezio Manni, Paola Pieracci, Carla Terlizzi, Anna Maria Dossena, Anna Recchimuzzi, Ines Pellegrini. DVD; Region 1, NTSC; Dolby Digital mono; widescreen presentation, aspect ratio 1.85:1, enhanced for 16:9 televisions. Italian dialogue; optional English subtitles.
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Summary: | In the titles, Pasolini informs viewers that it is "1944-45 nell' Italia Settentrionale durante l'occupazione nazifascista [in Northern Italy during the Nazi-Fascist occupation]." That, along with the "Bibliografia essenziale" that precedes it, indicates that a political meaning, dealing with the corruption of absolute power, was uppermost in the filmmakers mind. Motives aside, Pasolini's interpretation of the Marquis de Sade's eighteenth century opus of torture and degradation remains banned in many countries, is deemed one of the most disturbing films ever made, and is still-- 30 years after its initial release-- notorious and controversial.
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Standard no.: | 715515031028
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Publisher's no.: | CC1764D Criterion Collection
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