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|a 9780786439621 (softcover : alk. paper)
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|a 0786439629 (softcover : alk. paper)
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|b F75 2009
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|a 791.43096/0917541
|2 22
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1 |
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|a Frindéthié, Martial K.
|q (Martial Kokroa),
|d 1961-
|0 http://id.loc.gov/authorities/names/n2008012341
|1 http://viaf.org/viaf/9314291
|
| 245 |
1 |
0 |
|a Francophone African cinema :
|b history, culture, politics and theory /
|c K. Martial Frindéthié.
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| 260 |
|
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|a Jefferson, N.C. :
|b McFarland,
|c c2009.
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| 300 |
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|a viii, 263 p. :
|b ill. ;
|c 23 cm.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
|
| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (p. 247-251) and index.
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| 505 |
0 |
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|a Introduction: engaging African cinema -- "There is no conversation here, my boy": spectral returns of Fanon and Hegel in Bassek Ba Kobhio's The great white man of Lambaréné -- The language you govern in: the rise and fall of the African despot in Balufu Bakupa Kanyinda's Le damier: Papa national oyé and Cheick Oumar Sissoko's Guimba the tyrant -- Nostalgic memories and nomadic spirits: Merzak Allouache's Bab-el-oued and Karim Dridi's Bye-bye -- Allegorizing the quest for autonomy: Cheick Oumar Sissoko's Finzan and Amadou Seck's Saaraba -- Writing the soxual order: Ousmane Sembåne's Faat Kiné and Ngangura Mweze's La vie est belle -- Cogito must have gone crazy: construction and/as deconstruction of masculinity in Nouri Bouzid's Bent familia and Mufida Tlatli's The silences of the palace -- Keita: the heritage of the griot: economic, social, and cultural organization of ancient Africa -- Crisis in French Africa as hexagonal possibility: globalization à la françiaise -- "There is no trade going on there": tales from the killing fields of the Congo -- Conclusion.
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| 520 |
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|a "This book offers a transnational and interdisciplinary analysis of 16 Francophone African films studied in the context of transnational conversations between African filmmakers and conventional theorists. It examines black French filmmakers' treatments of a number of cross-cultural themes, including intercontinental encounters and reciprocity, ideology and subjective freedom, governance and moral responsibility, sexuality and social order, and globalization"--Provided by publisher.
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|a Motion pictures
|z Africa, French-speaking.
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| 650 |
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|a Motion pictures
|x Social aspects
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| 650 |
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|a Motion pictures
|x Political aspects
|z Africa, French-speaking.
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| 650 |
|
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|a Culture conflict in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh2003010131
|
| 651 |
|
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|a Africa
|x In motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85001716
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| 650 |
|
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|a Culture conflict in motion pictures.
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|0 http://id.worldcat.org/fast/fst01200536
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| 650 |
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7 |
|a Motion pictures.
|2 fast
|0 http://id.worldcat.org/fast/fst01027285
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| 650 |
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7 |
|a Motion pictures
|x Political aspects.
|2 fast
|0 http://id.worldcat.org/fast/fst01027353
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| 650 |
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7 |
|a Motion pictures
|x Social aspects.
|2 fast
|0 http://id.worldcat.org/fast/fst01027384
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|0 http://id.worldcat.org/fast/fst01239509
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|t Library of Congress classification
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