Review by Choice Review
Hamilton (Kansas State Univ.) presents a bold new thesis in his first book: theatrical performances are an independent form of art. Applying analytical philosophy at its best, the author argues that theatrical performances are not, and have never been, mere interpretations of works of dramatic literature. Instead, theatrical performances can and should be identified and evaluated without reference to the literary texts they interpret (texts merely being one of the ingredients of theatrical performance). Hamilton presents meticulous arguments both for the independence of performance as an art form and its status as art. As a result, according to the author, one can now judge performers' success not only in terms of the text-based tradition, but also based on spectators' and company's judgments. A particular director's and cast's creation is essential for comprehending theatrical performance. Overall, this is a compelling book. Summing Up: Recommended. Graduate students through professionals. S. Correa College of Mount St. Joseph
Copyright American Library Association, used with permission.
Review by Choice Review