Theatre and performance in digital culture : from simulation to embeddedness /
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| Author / Creator: | Causey, Matthew. |
|---|---|
| Imprint: | London ; New York : Routledge, 2006. |
| Description: | xiv, 214 p. : ill. ; 24 cm. |
| Language: | English |
| Series: | Routledge advances in theatre and performance studies ; 5 |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/6216987 |
Table of Contents:
- Introduction : 'a willing suspension of disbelief for the moment'
- 1. The screen test of the double : the uncanny performer in the space of technology
- 2. Televisual performance : openness to the mystery
- 3. Posthuman and postorganic performance : the (dis)appearance of theatre in virtual spaces
- 4. Perspectiva artificialis : the duplicitious geographies of stage illusion, or, the not-so-splendid isolation of the actor on the early modern perspective stage and in the historical avant-garde
- 5. The ruins of illusion : theatre in the rise of the virtual and the fall of illusion
- 6. The aesthetics of disappearance and the politics of visibility
- 7. Stealing from God : the crisis of creation in Societas Raffaello Sanzio's Genesi and Eduardo Kac's Genesis
- 8. From simulation to embeddedness : aestheticizing politics and the performance of bare life in the bio-politics of digital culture
- 9. The theatre and its negative : event, truth and the void.
