Collaboration in the arts from the Middle Ages to the present /
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| Imprint: | Aldershot, England ; Burlington, VT : Ashgate, c2006. |
|---|---|
| Description: | xi, 221 p. : ill. ; 24 cm. |
| Language: | English |
| Series: | Studies in European cultural transition ; v. 35 |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/6097930 |
Table of Contents:
- Introduction
- Tradition as collaboration: the public and the private in The Physician's Tale
- Reading images: church murals and collaboration between media in medieval England
- The necessary complement: collaborative reading and writing in Mill on the Floss
- Collaboration as ideology: theory and practice of Geselligkeit in German Romanticism
- Class and collaboration: what about the workers?
- Collaborating media and symbolic fractures in Wilde's Salome
- Secret agencies: Ford, Conrad, collaboration and conspiracy
- The Inheritors: Conrad and Ford's extravagant story
- On the losing side: Francis Stuart, Henry Williamson and collaboration
- Intertextuality, collaboration and gender: The Whisperers, or, 'Frances Sheridan's A Trip to Bath as completed by Elizabeth Kuti'
- A quattro mani: the politics of collaboration in Italian immigrant literature
- Collaboration begins at home: racism and our Roma therapy
- Studying the reception of Shakespeare's Hamlet: a hyper-text of 19th-century promptbooks as teaching material
- Landscape archaeology in Pisa and the POPULUS project: paying attention and being selective
- Bibliography
- Index
