The philosophy of film noir /
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| Imprint: | Lexington : University Press of Kentucky, c2006. |
|---|---|
| Description: | xv, 248 p. ; 24 cm. |
| Language: | English |
| Subject: | Film noir -- History and criticism. Film noir. Criticism, interpretation, etc. |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/5843499 |
| LEADER | 03054pam a22004214a 4500 | ||
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| 003 | ICU | ||
| 005 | 20061108130200.0 | ||
| 008 | 051020s2006 kyu b 001 0 eng | ||
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| 020 | |a 9780813123776 (hardcover : alk. paper) | ||
| 020 | |a 0813123771 (hardcover : alk. paper) | ||
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| 050 | 0 | 0 | |a PN1995.9.F54 |b P55 2006 |
| 082 | 0 | 0 | |a 791.43/6552 |2 22 |
| 245 | 0 | 4 | |a The philosophy of film noir / |c edited by Mark T. Conard with a foreword by Robert Porfirio. |
| 260 | |a Lexington : |b University Press of Kentucky, |c c2006. | ||
| 300 | |a xv, 248 p. ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
| 338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Nietzsche and the meaning and definition of noir / |r Mark T. Conard -- |t A darker shade : realism in neo-noir / |r Jason Holt -- |t Moral clarity and practical reason in film noir / |r Aeon J. Skoble -- |t Cherchez la Femme Fatale : the mother of film noir / |r Read Mercer Schuchardt -- |t From Sherlock Holmes to the hard-boiled detective in film noir / |r Jerold J. Abrams -- |t Film noir and the meaning of life / |r Steven M. Sanders -- |t The horizons of disenchantment : film noir, Camus, and the vicissitudes of descent / |r Alan Woolfolk -- |t Symbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction / |r Mark T. Conard -- |t Film noir and the Frankfurt school : America as wasteland in Edgar Ulmer's Detour / |r Paul A. Cantor -- |t Knowledge, morality, and tragedy in The killers and Out of the past / |r Ian Jarvie -- |t Moral man in the dark city : film noir, the postwar religious revival, and The accused / |r R. Barton Palmer -- |t On reason and passion in The Maltese Falcon / |r Deborah Knight -- |t Ride the pink horse : money, mischance, murder, and the monads of film noir / |r Alain Silver. |
| 650 | 0 | |a Film noir |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2009125551 | |
| 650 | 7 | |a Film noir. |2 fast |0 http://id.worldcat.org/fast/fst00924273 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 http://id.worldcat.org/fast/fst01411635 | |
| 700 | 1 | |a Conard, Mark T., |d 1965- |0 http://id.loc.gov/authorities/names/n00105285 |1 http://viaf.org/viaf/97745304 | |
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