African American art and artists /
Saved in:
| Author / Creator: | Lewis, Samella S. |
|---|---|
| Edition: | 3rd. ed., rev. and expanded. |
| Imprint: | Berkeley : University of California Press, 2003. |
| Description: | xix, 340 p. : ill. (some col.) ; 29 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4922549 |
Table of Contents:
- Foreword
- Introduction to the Revised and Expanded Edition
- Preface
- Acknowledgments
- Introduction 1619-1865
- Cultural Deprivation and Slavery
- The Craft Heritage as an Economic Resource
- The Emergence of Professional Artists Freemen and the Abolitionist Movement
- Discrimination and the Problem of Patronage 1865-1920
- Emancipation and Cultural Dilemma
- The First Major Landscape Painter
- The Diverse Quests for Professional Status American Reliance on the European
- Artistic Tradition 192-1940:
- New Americanism and Ethnic Identity
- The Spread of the Harlem Movement
- The Self-Taught Individualists 1940-1960
- Social and Political Awareness
- Mural Art as Cultural and Social Commentary
- The WPA and Its Legacy 1960-1990
- Political and Cultural Awareness
- Painting
- The Flag: A Symbol of Repression Reality and the Dream Symbolism: Geometric, Organic, and Figurative
- Mixed-Media Assemblages Sculpture: Additive or Direct
- Art/Craft Drawing Graphic Processes: Economical and Aesthetic
- Approaches to Communication Performances/Installations/Environments 1990-2002
- From Painting to Technology: Art Before and into The New Millennium
- Painting Sculpture Installation
- Art Mixed-Media Art Digital/Computer Art
- Conclusion
- Bibliography
- Index