Transatlantic crossings : British feature films in the United States /
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| Author / Creator: | Street, Sarah. |
|---|---|
| Imprint: | New York : Continuum, c2002. |
| Description: | xii, 280 p., [8] p. of plates : ill. ; 24 cm. |
| Language: | English |
| Series: | Rethinking British cinema |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4709190 |
Table of Contents:
- List of Illustrations
- List of Tables
- Acknowledgements
- Hollywood Jabberwocky
- Introduction
- 1.. The 1920s: British Silent Films in the United States
- 2.. The 1930s: Exportable Texts and Stars - Alexander Korda and United Artists
- 3.. The 1930s: Exportable Texts and Stars - Herbert Wilcox, Michael Balcon and Reciprocity
- 4.. The 1940s: Prestige, History and Shakespeare
- 5.. Questions of Censorship and Ideology
- 6.. The 1950s: British Films as Art and Entertainment
- 7.. The 1960s: New Money, New Identities
- 8.. The 1970s to 2000: British Films and the 'New' Hollywood
- Conclusion
- A.. Films Imported into the United States, 1927-1968
- B.. British Feature Films Imported by the United States, 1927-1967: Film Daily Year Book Listings
- Archival Sources and Bibliography
- Index
