Full of life : a biography of John Fante /

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Bibliographic Details
Author / Creator:Cooper, Stephen, 1949-
Edition:1st ed.
Imprint:New York : North Point Press, 2000.
Description:406 p., [16] p. of plates : ill. ; 24 cm.
Language:English
Subject:Fante, John, -- 1909-1983
Fante, John, -- 1909-1983
Authors, American -- 20th century -- Biography.
Screenwriters -- United States -- Biography.
Italian Americans.
Literature.
Novelists, American.
Screenwriters.
California -- Los Angeles.
United States.
Biography.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/4236645
Hidden Bibliographic Details
ISBN:0865475547 (alk. paper)
Notes:Includes bibliographical references (p. [383]-385) and index.
Review by Choice Review

Tough guys may not dance and nice guys may finish last, but Fante, symbol of the proletarian tradition in California writing and hard-boiled analyst of Los Angeles's unsaintly sides, is having a good finish after his 1983 death. Ashes in the Dust, his most famous novel, is being reread, and Fante's other books and stories about Italian immigrants are the focus of classes in US fiction and film. Charles Bukowski, Orson Welles, Daryll F. Zanuck, and H.L. Mencken recognized Fante as a rough gem, and John Steinbeck and Nathanael West come to mind when one categorizes Fante. Literary critics are fascinated with Fante's powerful prose and his characters' extreme passions; film students consider Fante's role in the movies that grew to dominate life in L.A. Though becoming recognized as one of the first important Italian American novelists and film writers, Fante is better appreciated in Paris, Rome, and Milan than in the US. This biography may change that. A skilled biographer and writer of award-winning fiction, Cooper (English and film, California State Univ., Long Beach) has written a smooth, carefully detailed account of a complicated man. Including 50 pages of excellent notes and a brief bibliography, this book will be the starting place for future scholars of Fante's disturbing, visionary work. All collections. ; University of Alberta

Copyright American Library Association, used with permission.
Review by Booklist Review

Resurrecting writers who have fallen into relative obscurity is exciting business--exciting for the person who does the resurrection and for readers of fiction who are always looking for someone new to read. Cooper does a great service by offering this biography of one such fallen-into-the-cracks writer, John Fante, who was well known and respected in his day--the 1940s, 1950s, and 1960s. Who remembers him now? Cooper's sensitive and well-researched biography will spur readers to seek out his unique novels, such as Ask the Dust (1939, rep. 1980, Black Sparrow). Cooper carefully correlates events in Fante's troubled life with the characters and events he wrote about. A tension-filled Colorado childhood scarred him, and as a young man he moved further west, to California, and began a writing career, supplemented by scriptwriting in Hollywood. He absorbed Los Angeles into his pores and wrote about it with particular sensitivity and poetry. (Black Sparrow is publishing a Fante short story collection, The Big Hunter, in May 2000.) Fante was driven, but he was also a negligent husband and father; he seemed unable to avoid poverty and alcohol. But his is a life story compelling to read about.

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Review by Publisher's Weekly Review

Hailed by many as the great novel about L.A., Ask the Dust (Stackpole, 1939) was primed to place Fante--and his alter-ego Arturo Bandini--in the American literary world forever. Cooper, a film lecturer at California State University at Long Beach, beautifully details the hardscrabble life of this little-known American great who squandered his best writing for the riches of Hollywood. Born in 1909 to Italian immigrant parents and educated at Catholic schools in Denver, Colo., at 23 Fante left a fragmented family life for L.A., where he scraped together a living doing manual labor, shipwork and canning in order to write in the evenings. An admirer of H.L. Mencken, Fante began a one-sided correspondence with the famed editor and submitted all his work to the American Mercury, until in 1934 Mencken accepted "Altar Boy," the first of many short stories that Fante would publish. Soon Fante set to work on a novel and, with Mencken's help, he found employment as a Hollywood screenwriter to support himself. Cooper seamlessly pieces together every detail of Fante's life, from the amount he was paid for each script to the gambling debts he incurred. He also tenderly portrays Fante's tumultuous 46-year relationship with his wife, Joyce, and their four children. Joyce would take dictation for the ailing writer, who, before he died in 1983, lost his eyesight and both legs to the ravages of diabetes. Cooper's enthusiasm for Fante is matched only by that of the late Charles Bukowski, who proclaimed that Fante taught him how to write and in the early 1980s encouraged Black Sparrow Press to reissue his work. In the end, Cooper makes a convincing case for Fante's placement on the mantel of the greats. Photos. (Apr.) FYI: Fante's complete works are available through Black Sparrow Press. (c) Copyright PWxyz, LLC. All rights reserved

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Review by Library Journal Review

For most readers, the name John Fante primarily evokes fond memories of the 1956 movie version of his novel Full of Life, starring Judy Holliday, for which he also wrote the screenplay. But, as this first major biography of the novelist makes clear, Fante's early novels about the experiences of an Italian American writer in Los Angeles are the works for which he should be remembered. Cooper (English, California State Univ., Long Beach) skillfully shows the parallels between the writer's own life story and the fiction he carved out of it. This sympathetic and thorough portrait of the novelist shows not only his achievements and charm but also his less than admirable qualities, e.g., hard drinking, gambling, womanizing, and the squandering of his considerable talents on movie and television work. Cooper also successfully evokes the Los Angeles literary and entertainment milieus in which Fante existed. The reader will want to go out and find copies of Fante's best fiction, such as Ask the Dust and Wait Until Spring, Bandini, as well as his short stories. Recommended for larger public and university library collections.--Morris Hounion, New York City Technical Coll., Brooklyn (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A comprehensive and compassionate biography of novelist-screenwriter Fante (1909'83), whose once-forgotten fiction and largely forgettable screenplays are enjoying a renaissance. With apostolic fervor, Cooper (English/Calif. State Univ.) presents convincing evidence that Fante's work should be ranked ``among the finest achievements of twentieth century American writing.'' Beginning his tale with the 50-ish Fante in Rome working on a screenplay, Cooper soon dives back into the murky river of Fante's past and begins to clarify. The son of an immigrant stone worker, he was born in Colorado, attended Catholic schools (graduating from high school ``without distinction''), tried college a few times (unsuccessfully), and eventually headed to California. While working at a variety of menial jobs, Fante, in one of those miracles of self-creation, decided to turn to literature'and in no time at all he was a friend and correspondent of H.L. Mencken, a contributor to the American Mercury, and a novelist published by Knopf. Cooper meticulously chronicles Fante's yo-yo career: his stunning successes (stories were published in prestigious literary magazines; novels like Ask the Dust and Full of Life earned warm reviews) and his miserable failures (he drank heavily, gambled ineffectually, neglected his family for golf, and wasted years writing mindless movies). Most affecting are Fante's final years of suffering: the loss of eyesight and legs to diabetes, the recurrent sojourns in madness'all at a time when his literary reputation was ascending. (During this period he dictated to his wife one final, well-received novel, Dreams from Bunker Hill.) Cooper has Fante's own eye for arresting prose'he describes Fante buying a house so infested with termites that his pregnant wife would one day ``plunge through the rotten floorboards'''and his richly informative endnotes are compelling reading as well. A spirited, scholarly portrait of a man who wrestled with merciless demons and emerged victorious. (17 b&w photos)

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