On the history of film style /

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Bibliographic Details
Author / Creator:Bordwell, David.
Imprint:Cambridge, Mass. : Harvard University Press, 1997.
Description:x, 322 p. : ill. 25 cm.
Subject:Motion pictures -- Aesthetics.
Motion pictures -- Historiography.
Motion pictures -- Aesthetics.
Motion pictures -- Historiography.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/2909168
Hidden Bibliographic Details
ISBN:0674634284 (cloth : alk. paper)
0674634292 (pbk. : alk. paper)
Notes:Includes bibliographical references (p. [273]-314) and index.
Table of Contents:
  • The Way Movies Look: The Significance of Stylistic
  • History Defending and Defining the Seventh Art: The Standard Version of Stylistic History
  • A Developing Repertoire: The Basic Story
  • Film Culture and the Basic Story
  • The Standard Version: Central Assumptions
  • Coming to Terms with Sound
  • Bardegrave;che, Brasillach, and the Standard Version Against the Seventh Art: Andreacute; Bazin and the Dialectical Program
  • A New Avant-Garde
  • The Evolution of Film Language
  • Toward an Impure Cinema
  • From Stylistic History to Thematic Criticism The Return of Modernism: Noeuml;l Burch and the Oppositional Program
  • Radicalizing Form
  • The Institutional Mode and Its Others
  • Living Shadows and Distant Observers Prospects for Progress: Recent Research Programs
  • Piecemeal History
  • Culture, Vision, and the Perpetually New
  • Problems and Solutions Exceptionally Exact Perceptions: On Staging in DepthIdeology and Depth
  • Making the Image Intelligible
  • Dumb Giants
  • Depth, Deacute;coupage, and Camera Movement
  • Redefining Mise en Scegrave;ne
  • Expanding the Image and Compressing Depth
  • Eclecticism and Archaism Notes
  • Index