The Twentieth century performance reader /

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Bibliographic Details
Imprint:London ; New York : Routledge, 1996.
Description:xx, 421 p. ; 24 cm.
Language:English
Subject:Performing arts.
Performing arts.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/2764689
Hidden Bibliographic Details
Other authors / contributors:Huxley, Michael, 1949-
Witts, Noel, 1937-
ISBN:0415116279
0415116287 (pbk.)
Notes:Includes bibliographical references (p. 401-405) and index.
Table of Contents:
  • 1. Laurie Anderson The Speed of Change
  • 2. Adolph Appia, Actor, Space, Light, Painting
  • 3. Antonin Artaud, Theatre and Cruelty
  • 4. Sally Banes, Terpsichore in Sneakers: Post-modern Dance
  • 5. Eugenio Barba, Words or Presence
  • 6. Roland Barthes, The Grain of the Voice
  • 7. Pina Bausch, Not how people move but what moves them
  • 8. Julian Beck, Acting exercises
  • 9. Walter Benjamin, What is Epic Theater?
  • 10. Rustom Bharucha, Notes on the invention of tradition
  • 11. Augusto Boal, The theatre as discourse
  • 12. Bertrolt Brecht, Short description of a new technique of acting which produces an alienation effect
  • 13. Peter Brook, The Deadly Theatre
  • 14. Trisha Brown, Trisha Brown: An interview
  • 15. John Cage, Four statements on the dance
  • 16. Edward Gordon Craig, The Actor and the Uber-Marionette
  • 17. Merce Cunningham, You have to love dancing to stick to it
  • 18. Isadora Duncan, The Dancer of the future
  • 19. Hanns Eisler, Some remarks on the situation of the modern composer
  • 20. Philip Glass, Notes on Einstein on the beach
  • 21. Roselee Goldberg, Performance Art from Futurism to the present
  • 22. Jerzy Grotowski, Statement of principles
  • 23. Tatsumi Hijikata, Man, once dead, crawl back!
  • 24. Doris Humphrey, 'Check list', from The Art of Making Dances
  • 25. Alfred Jarry, Of the futility of the 'Theatrical' in Theater
  • 26. Tadeusz Kantor, The Theatre of Death: A Manifesto
  • 27. Elizabeth LeCompte, Interview
  • 28. Robert Lepage, Robert Lepage in discussion with Richard Eyre
  • 29. F.T. Marinetti, The founding and manifesto of futurism
  • 30. John Martin, Characteristics of the modern dance
  • 31. Vsevolod Meyerhold, First attempts at a stylized theatre
  • 32. Heiner Muller, 19 Answers by Heiner Muller
  • 33. Erwin Psicator, Epic Satire
  • 34. Yvonne Rainer, A quasi survey of some 'minimalist' tendencies in the quantitatively minimal dance activity midst the plethora, or an analysis of trio A
  • 35. Hans Richter, How did Dada begi?
  • 36. Richard Schechner, The five avant gardes or ... or none?
  • 37. Oskar Schlemmer, Man and art figure
  • 38. Wole Soyinka, Theatre in African Traditional Cultures: Survival Patterns
  • 39. Konstantin Stanislavski, Intonations and pauses
  • 40. Mary Wigman, The philosophy of modern dance
  • 41. Raymond Williams, Argument: Text and Performance
  • 42. Robert Wilson, Interview Chronology of Texts
  • Bibliography of Twentieth-Century Performance
  • Index