The Twentieth century performance reader /

Saved in:
Bibliographic Details
Imprint:London ; New York : Routledge, 1996.
Description:xx, 421 p. ; 24 cm.
Language:English
Subject:Performing arts.
Performing arts.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/2764689
Hidden Bibliographic Details
Other authors / contributors:Huxley, Michael, 1949-
Witts, Noel, 1937-
ISBN:0415116279
0415116287 (pbk.)
Notes:Includes bibliographical references (p. 401-405) and index.
LEADER 04424cam a2200397 a 4500
001 2764689
003 ICU
005 20030524173300.0
008 950530s1996 enk b 001 0 eng
010 |a  95021772  
020 |a 0415116279 
020 |a 0415116287 (pbk.) 
035 |a (NhCcYBP)YBT 95021772 
035 |a (NhCcYBP)YBP97280165546 
035 |a (OCoLC)32665712 
040 |a DLC  |c DLC  |d DLC  |d OrLoB-B  |d OCoLC 
050 0 0 |a PN1584  |b .T84 1996 
082 0 0 |a 791  |2 20 
245 0 4 |a The Twentieth century performance reader /  |c edited, with an introduction and contextual summaries, by Michael Huxley and Noel Witts. 
260 |a London ;  |a New York :  |b Routledge,  |c 1996. 
300 |a xx, 421 p. ;  |b 24 cm. 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
337 |a unmediated  |b n  |2 rdamedia  |0 http://id.loc.gov/vocabulary/mediaTypes/n 
338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
504 |a Includes bibliographical references (p. 401-405) and index. 
505 0 0 |t Twentieth-Century Performance: The Case for a New Approach /  |r Michael Huxley and Noel Witts --  |g 1.  |t The Speed of Change /  |r Laurie Anderson --  |g 2.  |t Actor, Space, Light, Painting /  |r Adolph Appia --  |g 3.  |t Theatre and Cruelty /  |r Antonin Artaud --  |g 4.  |t Terpsichore in Sneakers: Post-Modern Dance /  |r Sally Banes --  |g 5.  |t Words or Presence /  |r Eugenio Barba --  |g 6.  |t The Grain of the Voice /  |r Roland Barthes --  |g 7.  |t Not How People Move but What Moves Them /  |r Pina Bausch --  |g 8.  |t Acting Exercises /  |r Julian Beck --  |g 9.  |t What is Epic Theater? /  |r Walter Benjamin --  |g 10.  |t Notes on the Invention of Tradition /  |r Rustom Bharucha --  |g 11.  |t The Theatre as Discourse /  |r Augusto Boal --  |g 12.  |t Short Description of a New Technique of Acting which Produces an Alienation Effect /  |r Bertolt Brecht --  |g 13.  |t The Deadly Theatre /  |r Peter Brook --  |g 14.  |t Trisha Brown: an Interview /  |r Trisha Brown --  |g 15.  |t Four Statements on the Dance /  |r John Cage --  |g 16.  |t The Actor and the Uber-Marionette /  |r Edward Gordon Craig --  |g 17.  |t You have to Love Dancing to Stick to it /  |r Merce Cunningham --  |g 18.  |t The Dancer of the Future /  |r Isadora Duncan --  |g 19.  |t Some Remarks on the Situation of the Modern Composer /  |r Hanns Eisler --  |g 20.  |t Notes on Einstein on the Beach /  |r Philip Glass --  |g 21.  |t Performance Art from Futurism to the Present /  |r Roselee Goldberg --  |g 22.  |t Statement of Principles /  |r Jerzy Grotowski --  |g 23.  |t Man, Once Dead, Crawl Back! /  |r Tatsumi Hijikata --  |g 24.  |t 'Check List', from the Art of Making Dances /  |r Doris Humphrey --  |g 25.  |t Of the Futility of the 'Theatrical' in Theater /  |r Alfred Jarry --  |g 26.  |t The Theater of Death: a Manifesto /  |r Tadeusz Kantor --  |g 27.  |t Interview /  |r Elizabeth LeCompte --  |g 28.  |t Robert Lepage in Discussion with Richard Eyre /  |r Robert Lepage --  |g 29.  |t The Founding and Manifesto of Futurism /  |r F. T. Marinetti --  |g 30.  |t Characteristics of the Modern Dance /  |r John Martin --  |g 31.  |t First Attempts at a Stylized Theatre /  |r Vsevolod Meyerhold --  |g 32.  |t 19 Answers by Heiner Muller /  |r Heiner Muller --  |g 33.  |t Epic Satire /  |r Erwin Piscator --  |g 34.  |t A Quasi Survey of Some 'Minimalist' Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A /  |r Yvonne Rainer --  |g 35.  |t How did Dada Begin? /  |r Hans Richter --  |g 36.  |t The Five Avant Gardes or . . . or None? /  |r Richard Schechner --  |g 37.  |t Man and Art Figure /  |r Oskar Schlemmer --  |g 38.  |t Theatre in African Traditional Cultures: Survival Patterns /  |r Wole Soyinka --  |g 39.  |t Intonations and Pauses /  |r Konstantin Stanislavski --  |g 40.  |t The Philosophy of Modern Dance /  |r Mary Wigman --  |g 41.  |t Argument: Text and Performance /  |r Raymond Williams --  |g 42.  |t Interview /  |r Robert Wilson. 
650 0 |a Performing arts.  |0 http://id.loc.gov/authorities/subjects/sh85099818 
650 7 |a Performing arts.  |2 fast  |0 http://id.worldcat.org/fast/fst01057887 
700 1 |a Huxley, Michael,  |d 1949-  |0 http://id.loc.gov/authorities/names/n95053296  |1 http://viaf.org/viaf/76454839 
700 1 |a Witts, Noel,  |d 1937-  |0 http://id.loc.gov/authorities/names/n95053306  |1 http://viaf.org/viaf/66606482 
901 |a ToCBNA 
903 |a HeVa 
929 |a cat 
999 f f |i 79877816-93e3-56c9-8ac3-eb177406bffa  |s c4ffb9b2-b082-52de-90c2-708b898d3d5f 
928 |t Library of Congress classification  |a PN1584 .T84 1996  |l JRL  |c JRL-Gen  |i 3049237 
927 |t Library of Congress classification  |a PN1584 .T84 1996  |l JRL  |c JRL-Gen  |b 48794305  |i 5010083