Understanding music with AI : perspectives on music cognition /
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| Imprint: | Cambridge, Mass. : AAAI Press : MIT Press, c1992. |
|---|---|
| Description: | xxxviii, 512 p. : ill. ; 25 cm. |
| Language: | English |
| Subject: | Artificial intelligence -- Musical applications. Artificial intelligence -- Musical applications. |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/1697580 |
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| 050 | 0 | 0 | |a ML74 |b .U6 1992 |
| 082 | 0 | 0 | |a 781/.0285/63 |2 20 |
| 245 | 0 | 0 | |a Understanding music with AI : |b perspectives on music cognition / |c edited by Mira Balaban, Kemal Ebcioğlu, and Otto Laske. |
| 260 | |a Cambridge, Mass. : |b AAAI Press : |b MIT Press, |c c1992. | ||
| 300 | |a xxxviii, 512 p. : |b ill. ; |c 25 cm. | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
| 338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Foreword: A Conversation with Marvin Minsky / |r Marvin Minsky and O. Laske -- |g Sect. 1. |t Two Views on Cognitive Musicology. |g 1. |t Artificial Intelligence and Music: A Cornerstone of Cognitive Musicology / |r O. Laske. |g 2. |t Beyond Computational Musicology / |r P. Kugel -- |g Sect. 2. |t General Problems in Modeling Musical Activities. |g 3. |t Representing Listening Behavior: Problems and Prospects / |r S. W. Smoliar. |g 4. |t Symbolic and Sonic Representations of Sound-Object Structures / |r B. Bel. |g 5. |t Music Structures: Interleaving the Temporal and Hierarchical Aspects in Music / |r B. Balaban. |g 6. |t On Designing a Typed Music Language / |r E. B. Blevis, M. A. Jenkins and J. I. Glasgow. |g 7. |t Logical Representation and Induction for Computer Assisted Composition / |r F. Courtot -- |g Sect. 3. |t Music Composition. |g 8. |t Cybernetic Composer: An Overview / |r C. Ames and M. Domino. |g 9. |t Wolfgang: A System Using Emoting Potentials to Manage Musical Design / |r R. D. Riecken. |g 10. |t On the Application of Problem Reduction Search to Automated Composition / |r S. C. Marsella and C. F. Schmidt. |g 11. |t The Observer Tradition of Knowledge Acquisition / |r O. Laske -- |g Sect. 4. |t Analysis. |g 12. |t An Expert System for Harmonizing Chorales in the Style of J. S. Bach / |r K. Ebcioglu. |g 13. |t An Expert System for Harmonic Analysis of Tonal Music / |r H. J. Maxwell. |g 14. |t On the Algorithmic Representation of Musical Style / |r D. Cope -- |g Sect. 5. |t Performance. |g 15. |t Bol Processor Grammars / |r B. Bel and J. Kippen. |g 16. |t A New Approach to Music Through Vision / |r S. Ohteru and S. Hashimoto -- |g Sect. 6. |t Perception. |g 17. |t On Analyzing and Representing Musical Rhythm / |r G. Linster. |g 18. |t On the Perception of Meter / |r B. O. Miller, D. L. Scarborough and J. A. Jones. |g 19. |t The Quantization Problem: Traditional and Connectionist Approaches / |r P. Desain and H. Honing -- |g Sect. 7. |t Learning and Tutoring. |g 20. |t An Architecture for an Intelligent Tutoring System / |r M. J. Baker. |g 21. |t A Knowledge Intensive Approach to Machine Learning in Tonal Music / |r G. Widmer. |
| 650 | 0 | |a Artificial intelligence |x Musical applications. |0 http://id.loc.gov/authorities/subjects/sh92002683 | |
| 650 | 7 | |a Artificial intelligence |x Musical applications. |2 fast |0 http://id.worldcat.org/fast/fst00817274 | |
| 653 | 0 | |a Music |a Use of |a Computers | |
| 653 | 0 | |a Music |a Appreciation | |
| 700 | 1 | |a Balaban, Mira. |0 http://id.loc.gov/authorities/names/n92096747 |1 http://viaf.org/viaf/33658555 | |
| 700 | 1 | |a Ebcioglu, Kemal. |0 http://id.loc.gov/authorities/names/n90633397 |1 http://viaf.org/viaf/112600528 | |
| 700 | 1 | |a Laske, Otto E. |q (Otto Ernst), |d 1936- |0 http://id.loc.gov/authorities/names/n82054081 |1 http://viaf.org/viaf/112600460 | |
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