Painted faces on the Renaissance stage : the moral significance of face-painting conventions /

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Bibliographic Details
Author / Creator:Drew-Bear, Annette
Imprint:Lewisburg : Bucknell University Press ; London : Associated University Presses, c1994.
Description:139 p. : ill. ; 24 cm.
Language:English
Subject:English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
English drama -- 17th century -- History and criticism
Face painting in literature
Theatrical makeup -- England.
Literature and morals
Ethics in literature
Renaissance -- England
English drama.
English drama -- Early modern and Elizabethan.
Ethics in literature.
Face painting in literature.
Literature and morals.
Renaissance.
Theatrical makeup.
England.
Criticism, interpretation, etc.
History.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/1579494
Hidden Bibliographic Details
ISBN:0838752306 (alk. paper)
Notes:Includes bibliographical references (p. 124-133) and index.
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504 |a Includes bibliographical references (p. 124-133) and index. 
505 0 0 |g 1.  |t The Moral Significance of Painted Faces on the Renaissance Stage --  |g 2.  |t Symbolic Patterns of Facial Adornment and Deformity in Medieval and Tudor Drama --  |g 3.  |t Face-Painting in Renaissance Tragedy --  |g 4.  |t "Theres knauery in dawbing": Face-Painting in Renaissance Comedy --  |g 5.  |t Face-Painting Scenes in Ben Jonson's Plays --  |g 6.  |t "Painting...is a mystery": Shakespeare's Use of Face-Painting and Symbolic Makeup. 
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