Machine models of music /

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Bibliographic Details
Imprint:Cambridge, Mass. : MIT Press, c1993.
Description:544 p. : ill. ; 24 cm.
Language:English
Subject:Artificial intelligence -- Musical applications
Artificial intelligence -- Musical applications.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/1555873
Hidden Bibliographic Details
Other authors / contributors:Schwanauer, Stephan M.
Levitt, David A.
ISBN:0262193191
Notes:Includes bibliographical references and index.
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245 0 0 |a Machine models of music /  |c edited by Stephan M. Schwanauer and David A. Levitt. 
260 |a Cambridge, Mass. :  |b MIT Press,  |c c1993. 
300 |a 544 p. :  |b ill. ;  |c 24 cm. 
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504 |a Includes bibliographical references and index. 
505 0 0 |g I.  |t Foundations: Generate-and-Test Composition.  |g 1.  |t Musical Composition with a High-Speed Digital Computer /  |r Lejaren Hiller and Leonard Isaacson.  |g 2.  |t An Experiment in Musical Composition /  |r F. P. Brooks, Jr., A. L. Hopkins, Jr., P. G. Neumann and W. V. Wright.  |g 3.  |t A Technique for the Composition of Music in a Computer /  |r Stanley Gill --  |g II.  |t Foundations: Composition Parsing.  |g 4.  |t A Program for the Analytic Reading of Scores /  |r Allen Forte.  |g 5.  |t Pattern in Music /  |r Herbert A. Simon and Richard K. Sumner.  |g 6.  |t Linguistics and the Computer Analysis of Tonal Harmony /  |r Terry Winograd --  |g III.  |t AI and Music: Heuristic Composition.  |g 7.  |t Simulating Musical Skills by Digital Computer /  |r John Rothgeb.  |g 8.  |t Music and Computer Composition /  |r James Anderson Moorer.  |g 9.  |t Process Structuring and Music Theory /  |r Stephen W. Smoliar --  |g IV.  |t AI and Music: Generative Grammars.  |g 10.  |t In Search of a Generative Grammar for Music /  |r Otto E. Laske.  |g 11.  |t A Method for Composing Simple Traditional Music by Computer /  |r Gary M. Rader.  |g 12.  |t Generative Theories in Language and Music Descriptions /  |r Johan Sundberg and Bjorn Lindblom.  |g 13.  |t An Overview of Hierarchical Structure in Music /  |r Fred Lerdahl and Ray Jackendoff --  |g V.  |t AI and Music: Alternative Theories.  |g 14.  |t An Artificial Intelligence Approach to Tonal Music Theory /  |r James Meehan.  |g 15.  |t Music, Mind, and Meaning /  |r Marvin Minsky --  |g VI.  |t AI and Music: Composition Tools.  |g 16.  |t Protocol: Motivation, Design, and Production of a Composition for Solo Piano /  |r Charles Ames.  |g 17.  |t An Expert System for Harmonizing Four-Part Chorales /  |r Kemal Ebcioglu.  |g 18.  |t A Computer Model of Music Composition /  |r David Cope.  |g 19.  |t Flavors Band: A Language for Specifying Musical Style /  |r Christopher Fry --  |g VII.  |t AI and Music: New Directions.  |g 20.  |t A Representation for Musical Dialects /  |r David A. Levitt.  |g 21.  |t The Perception of Melodies /  |r H. Christopher Longuet-Higgins.  |g 22.  |t MUSACT: A Connectionist Model of Musical Harmony /  |r Jamshed J. Bharucha.  |g 23.  |t A Learning Machine for Tonal Composition /  |r Stephan M. Schwanauer --  |t Appendix: Musical Dice Game /  |r Wolfgang Amadeus Mozart. 
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