Philosophy of modern music.
Saved in:
Author / Creator: | Adorno, Theodor W., 1903-1969 |
---|---|
Uniform title: | Philosophie der neuen Musik. English |
Imprint: | New York, Seabury Press [1973] |
Description: | xiv, 220 p. 22 cm. |
Language: | English German |
Series: | A Continuum book |
Subject: | Schoenberg, Arnold, -- 1874-1951 Stravinsky, Igor, -- 1882-1971 Schoenberg, Arnold, -- 1874-1951 Stravinsky, Igor, -- 1882-1971 Music -- 20th century -- History and criticism Music Criticism, interpretation, etc. |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/148102 |
Table of Contents:
- Translators' Introduction
- Preface
- Introduction
- Choice of Subject Matter
- New Conformism
- False Musical Consciousness
- Intellectualism
- Modern Music Unprotected
- The Antinomy of Modern Music
- Growing Indifferentism
- On Method
- Schoenberg and Progress
- Disturbance of the Work
- Inherent Tendency of Musical Material
- Schoenberg's Criticism of Illusion and Play
- Dialectics of Loneliness
- Loneliness as Style
- Expressionism as Objectivity
- Total Organization of the Elements of Music
- Total Development
- The Concept of Twelve-Tone Technique
- Musical Domination of Nature
- Loss of Freedom
- Twelve-Tone Melos and Rhythm
- Differentiation and Coarsening
- Harmony
- Instrumental Timbre
- Twelve-Tone Counterpoint
- Function of Counterpoint
- Form
- The Composers
- Avant-Garde and Theory
- Renunciation of Material
- Cognitive Character
- Attitude Towards Society
- Stravinsky and Restoration
- Authenticity
- Sacrifice and the Absence of Intention
- Hand Organ as a Primeval Phenomenon
- Sacre and African Sculpture
- Technical Elements in Sacre
- "Rhythm"
- Identification with the Collective
- Archaism, Modernism, Infantilism
- Permanent Regression and Musical Form
- The Psychotic Aspect
- Ritual
- Alienation as Objectivity
- Fetishism of the Means
- Depersonalization
- Hebephrenia
- Catatonia
- Music about Music
- Denaturation and Simplification
- Dissociation of Time
- Music--A Pseudomorphism of Painting
- Theory of Ballet Music
- Modes of Listening
- The Deception of Objectivism
- The Final Trick
- Neo-Classicism
- Experiments in Expansion
- Schoenberg and Stravinsky
- Note