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19970806160700.0 |
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920323s1991 enka 001 0 eng |
| 010 |
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|a 91219178
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| 020 |
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|a 0862329167
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| 020 |
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|a 0862329175 (pbk.)
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| 035 |
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|a (ICU)BID15589921
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|a (OCoLC)25370754
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| 040 |
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|c DLC$dOrLoB
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| 043 |
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|a ma-----
|a f------
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| 050 |
0 |
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|a PN1993.5.A65
|b M3 1991
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| 082 |
|
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|a 791.43/0917/5927
|2 20
|
| 100 |
1 |
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|a Malkmus, Lizbeth
|0 http://id.loc.gov/authorities/names/n92002887
|1 http://viaf.org/viaf/9904390
|
| 245 |
1 |
0 |
|a Arab and African film making /
|c Lizbeth Malkmus and Roy Armes.
|
| 260 |
|
|
|a London ;
|a Atlantic Highlands, N.J., USA :
|b Zed Books,
|c 1991.
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| 300 |
|
|
|a ix, 264 p. :
|b ill. ;
|c 23 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
|
| 500 |
|
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|a Cover title: Arab & African film making.
|
| 504 |
|
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|a Includes bibliographical references (p. 237-258) and index.
|
| 505 |
0 |
0 |
|g Pt. 1.
|t Context.
|g 1.
|t Cinema Under Colonialism.
|t The advent of the cinema.
|t The other new media.
|t European filming and recording.
|t European fictional approaches.
|t The colonial film units.
|t Indigenous culture under colonialism.
|t African and Arab literature.
|t The beginnings of Arab film-making.
|t Developments in popular music.
|g 2.
|t Cinema After Independence.
|t Introduction: national identity.
|t Film and literature.
|t Film and popular music.
|t Film and broadcasting.
|t Film and the state.
|t Contexts of production.
|t The individual film-maker --
|g Pt. 2.
|t Arab Film.
|g 3.
|t The Epic.
|t Heroes.
|t Marginals.
|t Heroines.
|t Violence.
|t Sport.
|t Anti-hero/ine.
|t Anti-epic.
|t Sample film: Omar Gatlato.
|g 4.
|t The Comic.
|t Gags.
|t Situations.
|t Analogies.
|t Derision.
|t Sample comedy: Four on an Important Mission.
|g 5.
|t The Dramatic.
|t Melodrama.
|t Futuwwa.
|t Dissolution.
|t Sample drama: Cairo: Central Station.
|g 6.
|t Scene.
|t Data.
|t Prescription/description.
|t Metonymy and Metaphor.
|t Egyptian realism old and new.
|t Camera.
|t Sample film: Save What We Can.
|g 7.
|t Sound.
|t Functions.
|t Tensions.
|t Performance.
|t Voice.
|t Sample film: Events of the Coming Year.
|g 8.
|t Sign.
|t Madness.
|t Myth.
|t Memory.
|t Figures.
|t Tableaux.
|t Sample film: The Drifters --
|g Pt. 3.
|t African Film.
|g 9.
|t Voice.
|t Voices off.
|t Narrative voices.
|g 10.
|t Space.
|t The organizing eye.
|t The politics of space.
|g 11.
|t Story.
|t Structural principles.
|t The individual and the group.
|t Dictionary of Film-makers.
|
| 650 |
|
0 |
|a Motion pictures
|z Arab countries
|0 http://id.loc.gov/authorities/subjects/sh2001010285
|
| 650 |
|
0 |
|a Motion pictures
|z Africa
|0 http://id.loc.gov/authorities/subjects/sh96010726
|
| 650 |
|
7 |
|a Motion pictures.
|2 fast
|0 http://id.worldcat.org/fast/fst01027285
|
| 651 |
|
7 |
|a Africa.
|2 fast
|0 http://id.worldcat.org/fast/fst01239509
|
| 651 |
|
7 |
|a Arab countries.
|2 fast
|0 http://id.worldcat.org/fast/fst01240128
|
| 700 |
1 |
0 |
|a Armes, Roy
|0 http://id.loc.gov/authorities/names/n79084150
|1 http://viaf.org/viaf/60304818
|
| 740 |
0 |
1 |
|a Arab & African film making.
|
| 850 |
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|a ICU
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|a ToCBNA
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|a HeVa
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| 903 |
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| 929 |
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|i d1203358-6d84-5b06-b2be-62dbd9b76988
|s 00bc96ea-3245-5cab-b8d6-d11f59c89553
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| 928 |
|
|
|t Library of Congress classification
|a PN1993.5.A65M30 1991
|l JRL
|c JRL-Gen
|i 2722868
|
| 927 |
|
|
|t Library of Congress classification
|a PN1993.5.A65M30 1991
|l JRL
|c JRL-Gen
|b 37672938
|i 2646248
|
