Bingo /

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Bibliographic Details
Author / Creator:Bond, Edward, author.
Imprint:London : Bloomsbury, [2013]
©2013
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12668966
Hidden Bibliographic Details
Other uniform titles:Bond, Edward. Plays three.
ISBN:9781408162538.00000025
Notes:Previously issued in print: in Plays three. London: Methuen Drama, 1987.
Description based on online resource; title from home page (viewed on October 21, 2013).
Summary:'Bingo' uses the last days of a brooding and unheroic William Shakespeare to accuse art and capitalism of vile inhumanity. Historical evidence suggests that not long before his death Shakespeare agreed to the enclosure of common land near Stratford, which was beneficial to landowners such as Shakespeare, but disastrous for small tenants and the parish's poor. For Bond this incident is laced with damning echoes of King Lear's injustices, and motivates his portrayal of the writer as a bourgeois and apolitical capitalist, more occupied with his profits and rents than with the distress of those who depended on the land. 'Bingo' is a thorny cry against exploitation and passivity. It was first performed in 1973 at the Northcott Theatre, Exeter.
Standard no.:10.5040/9781408162538.00000025

MARC

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520 8 |a 'Bingo' uses the last days of a brooding and unheroic William Shakespeare to accuse art and capitalism of vile inhumanity. Historical evidence suggests that not long before his death Shakespeare agreed to the enclosure of common land near Stratford, which was beneficial to landowners such as Shakespeare, but disastrous for small tenants and the parish's poor. For Bond this incident is laced with damning echoes of King Lear's injustices, and motivates his portrayal of the writer as a bourgeois and apolitical capitalist, more occupied with his profits and rents than with the distress of those who depended on the land. 'Bingo' is a thorny cry against exploitation and passivity. It was first performed in 1973 at the Northcott Theatre, Exeter. 
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