Critical craft : technology, globalization, and capitalism /

Critical craft : technology, globalization, and capitalism /

Saved in:
Bibliographic Details
Imprint:London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2016.
©2016
Description:1 online resource (xvi, 298 pages) : illustrations
Language:English
Subject:
Material culture.
Artisans.
Handicraft industries.
Folk art.
Workmanship.
Artisans.
Folk art.
Handicraft industries.
Material culture.
Workmanship.
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12588652
Hidden Bibliographic Details
Other authors / contributors:Wilkinson-Weber, Clare M., editor.
DeNicola, Alicia Ory, editor.
ISBN:9781472594877
1472594878
9781472594884
1472594886
9781003085119
1003085113
9781474224055
1474224059
9781472594853
1472594851
9781472594860
147259486X
Notes:Includes bibliographical references and index.
Print version record.
Summary:"From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"--
Other form:Print version: Critical craft 9781472594853
Standard no.:60002075852
Table of Contents:
  • Machine generated contents note:
  • 1: Introduction
  • Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA
  • SECTION ONE: Claims
  • 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico
  • Alanna Cant, University of Oslo, Norway
  • 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems
  • Richard Beckwith, Intel Corporation, USA
  • 4: Arts and Crafts as a Lived Aesthetic
  • Fran Mascia-Lees, Rutgers University, USA
  • 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India
  • Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA
  • 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft
  • Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums
  • 7. We Have Never Been Analog: Situating the Study of Digital Crafts
  • Lane DeNicola, Emory University, USA
  • 8: Crafting Good Chocolate in France and the US
  • Susan Terrio, Georgetown University, USA
  • 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers
  • Myriem Naji, University College London, UK
  • 10: Refashioning a Global Craft Commodity Flow from the Central Philippines
  • B. Lynne Milgram, OCAD University, Canada
  • SECTION THREE: Conflicts
  • 11: Modern Craft: Locating the Material in a Digital Age
  • Daniela Rosner, University of Washington, USA
  • 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft
  • Geoffrey Gowlland, University of Oslo, Norway
  • 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City
  • Elisha Renne, University of Michigan, USA
  • 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities
  • Mira Mohsini, Kalamazoo College, USABibliography
  • Index
  • 1: Introduction: Taking Stock of Craft in Anthropology
  • Alicia Ory DeNicola, Oxford College of Emory University, USA and Clare M. Wilkinson-Weber, Washington State University Vancouver, USA
  • Part I: Contentions
  • 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico
  • Alanna Cant, University of Oslo, Norway
  • 3: Forging Source: Considering the Craft of Computer Programming
  • Lane DeNicola, Emory University, USA
  • 4: American Beauty: The Middle Class Arts and Crafts Revival in the United States
  • Frances E. Mascia-Lees, Rutgers University, USA
  • 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India
  • Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA
  • 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft
  • Millaray Villalobos, Dirección General de Migración y Extranjería, Costa Rica
  • Part II: Conundrums
  • 7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems
  • Dawn Nafus and Richard Beckwith, Intel Corporation, USA
  • 8: Crafting Good Chocolate in France and the US
  • Susan Terrio, Georgetown University, USA
  • 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers
  • Myriem Naji, University College London, UK
  • 10: Refashioning a Global Craft Commodity Flow from the Central Philippines
  • B. Lynne Milgram, OCAD University, Canada
  • Part III: Conflicts
  • 11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital Age
  • Daniela Rosner, University of Washington, USA
  • 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft
  • Geoffrey Gowlland, University of Oslo, Norway
  • 13: Craft, Memory and Loss: Hand-Embroidery in Zaria City, Nigeria
  • Elisha Renne, University of Michigan, USA
  • 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities
  • Mira Mohsini, Kalamazoo College, USA
  • Notes
  • References
  • Index

Similar Items