Digital humanities and digital media : conversations on politics, culture, aesthetics and literacy /

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Bibliographic Details
Author / Creator:Simanowski, Roberto.
Imprint:London : Open Humanities Press, 2016.
Description:1 ressource en ligne (309 pages)
Language:English
Subject:Digital media.
Digital humanities.
Médias numériques.
Communication et technologie.
Médias numériques et culture.
Humanités digitales.
Digital humanities.
Digital media.
Livres numériques.
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12329471
Hidden Bibliographic Details
ISBN:9781785420313
1785420313
9781785420306
Notes:Titre de la page de titre de la ressource en ligne (visionné le 20 juillet 2016).
Summary:"There is no doubt that we live in exciting times: Ours is the age of many 'silent revolutions' triggered by startups and research labs of big IT companies; revolutions that quietly and profoundly alter the world we live in. Another ten or five years, and self-tracking will be as normal and inevitable as having a Facebook account or a mobile phone. Our bodies, hooked to wearable devices sitting directly at or beneath the skin, will constantly transmit data to the big aggregation in the cloud. Permanent recording and automatic sharing will provide unabridged memory, both shareable and analyzable. The digitization of everything will allow for comprehensive quantification; predictive analytics and algorithmic regulation will prove themselves effective and indispensable ways to govern modern mass society. Given such prospects, it is neither too early to speculate on the possible futures of digital media nor too soon to remember how we expected it to develop ten, or twenty years ago. The observations shared in this book take the form of conversations about digital media and culture centered around four distinct thematic fields: politics and government, algorithm and censorship, art and aesthetics, as well as media literacy and education. Among the keywords discussed are: data mining, algorithmic regulation, sharing culture, filter bubble, distant reading, power browsing, deep attention, transparent reader, interactive art, participatory culture. The interviewees (mostly from the US, but also from France, Brazil, and Denmark) were given a set of common questions as well specific inquiries tailored to their individual areas of interest and expertise. As a result, the book both identifies different takes on the same issues and enables a diversity of perspectives when it comes to the interviewees' particular concerns. Among the questions offered to everybody were: What is your favored neologism of digital media culture?"--Site web de l'éditeur.