Sequence as a dialogue /
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Author / Creator: | Stuke, Katja, photographer. |
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Imprint: | Dortmund : Verlag Kettler, [2019] ©2019 |
Description: | 54 pages : illustrations (chiefly color) ; 28 cm |
Language: | English German |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11968439 |
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LEADER | 00000cam a2200000Ii 4500 | ||
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001 | 11968439 | ||
003 | ICU | ||
005 | 20200102114944.1 | ||
008 | 190719t20192019gw a bc 000 0 eng d | ||
020 | |a 9783862067640 |q (pbk.) | ||
020 | |a 3862067645 |q (pbk.) | ||
035 | |a (OCoLC)1109863690 | ||
040 | |a ERASA |b eng |e rda |c ERASA |d YDX |d BDX |d OHX |d UAB |d OCLCF | ||
041 | 1 | |a ger |a eng |h ger | |
043 | |a a-ja--- | ||
049 | |a CGUA | ||
050 | 4 | |a TR659.8 |b .S879 2019 | |
082 | 0 | 4 | |a 770 |
100 | 1 | |a Stuke, Katja, |e photographer. |0 http://id.loc.gov/authorities/names/no2016027105 |1 http://viaf.org/viaf/32880450 | |
245 | 1 | 0 | |a Sequence as a dialogue / |c Katja Stuke + Oliver Sieber ; kuratorin der ausstellung/curator, Nadja Imail ; übersetzung/translation, Sophie Roberts. |
264 | 1 | |a Dortmund : |b Verlag Kettler, |c [2019] | |
264 | 4 | |c ©2019 | |
300 | |a 54 pages : |b illustrations (chiefly color) ; |c 28 cm | ||
336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
336 | |a still image |b sti |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/sti | ||
337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
500 | |a Title and statement of responsibility from cover. | ||
504 | |a Includes bibliographical references. | ||
520 | 8 | |a Since they first traveled to Japan together in 2005, this country has been the key focus of the joint work of Katja Stuke and Oliver Sieber. The two photographers have been tracing the excesses in the country's subculture and pop scene and the pressures in Japanese society, while also seeking to explore urban structures and the interrelation between architectural and social barriers. Their photography is not about capturing a single image. Stuke and Sieber work in series and sequences. They create layers and mix materials, they take pictures of computer screens and posters, they construct a whole set of images and constellations, depicting various motifs with different media and equipment. The result has little to do with the traditional iconography of Japanese tea ceremonies and rock gardens. Stuke and Sieber are not interested in noble or nostalgic settings. In their photo series and compositions, Japan emerges as a country of tarmac roads and sidewalks, of power lines and garage doors, a country of flickering TV screens and virtual realities. Exhibition: Kunsthalle Giessen, Germany 908.06. - 18.08.2019). | |
546 | |a in English and German, translated from the German. | ||
650 | 0 | |a Street photography |z Japan. | |
650 | 0 | |a Subculture |z Japan |v Pictorial works. | |
650 | 7 | |a Street photography. |2 fast |0 (OCoLC)fst01134710 | |
650 | 7 | |a Subculture. |2 fast |0 (OCoLC)fst01136426 | |
651 | 0 | |a Japan |v Pictorial works. | |
651 | 7 | |a Japan. |2 fast |0 (OCoLC)fst01204082 | |
655 | 7 | |a Pictorial works. |2 fast |0 (OCoLC)fst01423874 | |
700 | 1 | |a Sieber, Oliver, |d 1966- | |
700 | 1 | |a Imail, Nadja, |e curator. | |
700 | 1 | |a Roberts, Sophie, |e translator. |0 http://id.loc.gov/authorities/names/no2010031208 |1 http://viaf.org/viaf/107462161 | |
710 | 2 | |a Kunsthalle Giessen, |e host institution. |0 http://id.loc.gov/authorities/names/n97073242 |1 http://viaf.org/viaf/129814897 | |
903 | |a HeVa | ||
929 | |a cat | ||
999 | f | f | |i c5e49a15-00c7-5367-90d8-a44a8197abb1 |s 482d5175-1d0d-5fc9-948a-69f261620c14 |
928 | |t Library of Congress classification |a TR659.8 .S879 2019 |l JRL |c JRL-Gen |i 11497046 | ||
927 | |t Library of Congress classification |a TR659.8 .S879 2019 |l JRL |c JRL-Gen |e WAGN |b 115232794 |i 10180755 |