Ambisonics : a practical 3D audio theory for recording, studio production, sound reinforcement, and virtual reality /

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Bibliographic Details
Author / Creator:Zotter, Franz, author.
Imprint:Cham, Switzerland : SpringerOpen, [2019]
Description:1 online resource
Language:English
Series:Springer topics in signal processing ; volume 19
Springer topics in signal processing ; v. 19.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11873876
Hidden Bibliographic Details
Other authors / contributors:Frank, Matthias, author.
ISBN:9783030172077
3030172074
9783030172060
3030172066
Notes:Includes bibliographical references.
Online resource; title from digital title page (viewed on May 21, 2019).
Summary:This open access book provides a concise explanation of the fundamentals and background of the surround sound recording and playback technology Ambisonics. It equips readers with the psychoacoustical, signal processing, acoustical, and mathematical knowledge needed to understand the inner workings of modern processing utilities, special equipment for recording, manipulation, and reproduction in the higher-order Ambisonic format. The book comes with various practical examples based on free software tools and open scientific data for reproducible research. The book's introductory section offers a perspective on Ambisonics spanning from the origins of coincident recordings in the 1930s to the Ambisonic concepts of the 1970s, as well as classical ways of applying Ambisonics in first-order coincident sound scene recording and reproduction that have been practiced since the 1980s. As, from time to time, the underlying mathematics become quite involved, but should be comprehensive without sacrificing readability, the book includes an extensive mathematical appendix. The book offers readers a deeper understanding of Ambisonic technologies, and will especially benefit scientists, audio-system and audio-recording engineers. In the advanced sections of the book, fundamentals and modern techniques as higher-order Ambisonic decoding, 3D audio effects, and higher-order recording are explained. Those techniques are shown to be suitable to supply audience areas ranging from studio-sized to hundreds of listeners, or headphone-based playback, regardless whether it is live, interactive, or studio-produced 3D audio material.
Other form:Print version: Zotter, Franz. Ambisonics. Cham, Switzerland : SpringerOpen, [2019] 3030172066 9783030172060