Audio-vision : sound on screen /

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Bibliographic Details
Author / Creator:Chion, Michel, 1947- author.
Uniform title:Audio-vision. English
Edition:Second edition.
Imprint:New York : Columbia University Press, [2019]
Description:xxiii, 270 pages ; 24 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11807052
Hidden Bibliographic Details
Other authors / contributors:Gorbman, Claudia, editor, translator.
ISBN:9780231185882
023118588X
9780231185899
0231185898
Notes:Translation of: L'audio-vision : son et image au cinéma.
Includes bibliographical references and index.
Summary:"In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television"--
Other form:Online version: Chion, Michel, 1947- author. Audio-vision Second edition. New York : Columbia University Press, [2018] 9780231546379

MARC

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240 1 0 |a Audio-vision.  |l English 
245 1 0 |a Audio-vision :  |b sound on screen /  |c Michel Chion ; foreword by Walter Murch ; edited and translated by Claudia Gorbman. 
250 |a Second edition. 
264 1 |a New York :  |b Columbia University Press,  |c [2019] 
300 |a xxiii, 270 pages ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
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338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
500 |a Translation of: L'audio-vision : son et image au cinéma. 
520 |a "In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television"--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
505 0 |a Projections of sound on image -- The three listening modes -- Lines and points: horizontal and vertical perspectives on audiovisual relations -- The audiovisual scene -- The real and the rendered -- Sound films, worthy of the name -- Toward an audio-logo-visual poetics -- An introduction to audiovisual analysis. 
650 0 |a Sound motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh85088125 
650 0 |a Motion pictures  |x Sound effects.  |0 http://id.loc.gov/authorities/subjects/sh85088109 
650 0 |a Motion pictures  |x Aesthetics.  |0 http://id.loc.gov/authorities/subjects/sh85088085 
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650 7 |a Motion pictures  |x Sound effects.  |2 fast  |0 http://id.worldcat.org/fast/fst01027388 
650 7 |a Sound motion pictures.  |2 fast  |0 http://id.worldcat.org/fast/fst01127008 
700 1 |a Gorbman, Claudia,  |e editor,  |e translator.  |0 http://id.loc.gov/authorities/names/n85299438 
776 0 8 |i Online version:  |a Chion, Michel, 1947- author.  |t Audio-vision  |b Second edition.  |d New York : Columbia University Press, [2018]  |z 9780231546379  |w (DLC) 2018043470 
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