Audio-vision : sound on screen /

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Bibliographic Details
Author / Creator:Chion, Michel, 1947- author.
Uniform title:Audio-vision. English
Edition:Second edition.
Imprint:New York : Columbia University Press, [2019]
Description:xxiii, 270 pages ; 24 cm
Format: Print Book
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Other authors / contributors:Gorbman, Claudia, editor, translator.
Notes:Translation of: L'audio-vision : son et image au cinéma.
Includes bibliographical references and index.
Summary:"In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television"--
Other form:Online version: Chion, Michel, 1947- author. Audio-vision Second edition. New York : Columbia University Press, [2018] 9780231546379
Summary:Michel Chion's landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don't see images and hear sounds separately--we audio-view a trans-sensory whole.<br> <br> In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why "audio-logo-visual" is a more accurate term than "audiovisual." Audio-Vision shows us that sound is driving the creation of a sensory cinema.<br> <br> This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.
Item Description:Translation of: L'audio-vision : son et image au cinéma.
Physical Description:xxiii, 270 pages ; 24 cm
Bibliography:Includes bibliographical references and index.