The virtual score : representation, retrieval, restoration /

The Virtual Score examines a broad range of approaches to working with musical scores in ways suited to electronic distribution. The first section, on musical representation and interchange, discusses early music and its multiple editorial stances, scores in Braille musical notation (with and withou...

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Bibliographic Details
Imprint:Cambridge, Mass. : MIT Press ; Stanford, Calif. : CCARH, Stanford University, ©2001.
Description:1 online resource (ix, 291 pages) : illustrations
Language:English
Series:Computing in musicology, 1057-9478 ; 12
Computing in musicology ; 12.
Subject:Music -- Data processing.
Musique -- Informatique.
Music -- Data processing.
Computermuziek.
Muziekwerken.
Computersystemen.
Musik
Quelle
Digitalisierung
Aufsatzsammlung
XML
Electronic books.
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11796654
Hidden Bibliographic Details
Other authors / contributors:Hewlett, Walter B.
Selfridge-Field, Eleanor.
ISBN:0262582090
9780262582094
9780262316187
0262316188
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
Restrictions unspecified
Access restricted to Ryerson students, faculty and staff.
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
English.
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:The Virtual Score examines a broad range of approaches to working with musical scores in ways suited to electronic distribution. The first section, on musical representation and interchange, discusses early music and its multiple editorial stances, scores in Braille musical notation (with and without NIFF), the GUIDO format for "adequate" (as opposed to comprehensive) music representation, Extensible Markup Language (XML) and music, and the latest methods for distributing scores online. The second section discusses retrieval and/or analysis of data from encoded melodies. The final section discusses the use of image-processing software to restore lost features of primary sources of music prints and manuscripts, to archive the original and/or restored images, and, in some cases, to facilitate electronic access to the images
Other form:Print version: Virtual score. Cambridge, Mass. : MIT Press ; Stanford, Calif. : CCARH, Stanford University, ©2001