Musical worlds in Yogyakarta /

Musical worlds in Yogyakarta /

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Bibliographic Details
Author / Creator:	Richter, Max M., author.
Imprint:	Leiden, the Netherlands : KITLV Press, 2012. ©2012
Description:	1 online resource (xiii, 210 pages) : illustrations
Language:	English
Series:	Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; 281 Southeast Asia mediated ; [volume 2] Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; 281. Southeast Asia mediated ; v. 2.
Subject:	Music -- Social aspects -- Indonesia -- Yogyakarta. Music -- Indonesia -- Yogyakarta -- History and criticism. Society and social sciences. MUSIC -- Genres & Styles -- Classical. MUSIC -- Reference. SOCIAL SCIENCE -- Ethnic Studies -- General. Music. Music -- Social aspects. Indonesia -- Yogyakarta. Electronic books. Electronic books. Criticism, interpretation, etc.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11780564

Hidden Bibliographic Details
ISBN:	9004253491 9789004253490 9789067183901 9067183903 129978402X 9781299784024 9789004263710 9004263713
Notes:	Includes bibliographical references and index. English. Print version record.
Summary:	Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ('mixed essences') and jalanan ('of the street'). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender and nation with the author's alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia.
Other form:	Print version: 9789004263710 9004263713