We wanted a revolution : black radical women, 1965-85 : a sourcebook /

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Bibliographic Details
Imprint:Brooklyn, NY : Brooklyn Museum, 2017.
©2017
Description:319 pages : illustrations (some color) ; 27 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11290179
Hidden Bibliographic Details
Varying Form of Title:Black radical women, 1965-85 : a sourcebook
Other authors / contributors:Morris, Catherine, editor, writer of added text.
Hockley, Rujeko, editor, writer of added text.
Choi, Connie H., writer of added text.
Hermo, Carmen, writer of added text.
Weissberg, Stephanie, writer of added text.
Brooklyn Museum, issuing body, host institution.
ISBN:9780872731837
0872731839
Notes:Published on the occasion of an exhibition at the Brooklyn Museum, April 21-September 17, 2017.
The artists represented in the exhibition include Emma Amos, Camille Billops, Kay Brown, Vivian E. Browne, Linda Goode Bryant, Beverly Buchanan, Carole Byard, Elizabeth Catlett, Barbara Chase-Riboud, Ayoka Chenzira, Christine Choy and Susan Robeson, Blondell Cummings, Julie Dash, Pat Davis, Jeff Donaldson, Maren Hassinger, Janet Henry, Virginia Jaramillo, Jae Jarrell, Wadsworth Jarrell, Lisa Jones, Loïs Mailou Jones, Barbara Jones-Hogu, Carolyn Lawrence, Samella Lewis, Dindga McCannon, Barbara McCullough, Ana Mendieta, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, Alva Rogers, Alison Saar, Betye Saar, Coreen Simpson, Lorna Simpson, Ming Smith, and Carrie Mae Weems.
This "Sourcebook gathers selected writings in order to situate radical art-making within the broader sociopolitical context of the period. It highlights the artists' and writers' own voices, in primary sources and original documents pertaining to several significant historical events, activist artist groups, and key exhibitions." --page 19.
Includes bibliographical references.
Summary:"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking." --Brooklyn Museum website, viewed April 11, 2017.
Review by Choice Review

Despite the double burden of racism and sexism during second-wave feminism, women of color developed a rich tradition of activism that still resonates. This book builds a scaffold of ideas that talk back to the landmark exhibition of the same name, originally organized in 2017 at the Brooklyn Museum. During 1965-85, writers, artists, cultural critics, and art historians illuminated marginalized conversations around race, gender, politics, art, and beauty. Each contribution from this deep well of voices, images, and experiences is a source of strategic inspiration. The book features republished works from individuals such as Faith Ringgold, Audre Lorde, Toni Morrison, bell hooks, and Mary Ann Weathers and collective narratives from the Combahee River Collective, the Third World Women's Alliance, and AfriCOBRA, creating a rare, raw, and ageless symphony. Though these stories were foreign to many then, today they breathe life into what is considered more than a response to the racism of the feminist movement and sexism of the Civil Rights Movement; theirs was a mission to carve out a permanent place of their own. The addition of black male voices creates an affirming lens into the political matrix of patriarchy. This unsurpassed collection is an excellent resource for students, educators, and enthusiastic artists. Summing Up: Highly recommended. All levels/libraries. --Amy O Yeboah, Howard University

Copyright American Library Association, used with permission.
Review by Choice Review