Mirrored : Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi "Sleeping" Myllymäki, Mika Taanila : the Nordic Pavilion, 57th International Art Exhibition, la Biennale di Venezia /

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Bibliographic Details
Imprint:Milano : Mousse Publishing ; Stockholm : Moderna Museet, [2017]
Description:110 pages : illustrations (chiefly color) ; 24 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11287551
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Other authors / contributors:Stejrnstedt, Mats.
Biennale di Venezia (57th : 2017 : Venice, Italy), issuing body.
ISBN:9788867492732
886749273X
Notes:Catalog of the exhibition held at the Nordic pavilion for the 57th International Art Exhibition - la Biennale di Venezia, May 13-November 26, 2017. Exhibitors: Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi "Sleeping" Myllymäki and Mika Taanila. Commissioners: Ann-Sofi Noring, Moderna Museet (Sweden) with Katya Garcia-Antón, Office for Contemporary Art Norway OCA (Norway), and Raija Koli, Frame Contemporary Art Finland (Finland). Curator: Mats Stjernstedt. Venue: Giardini.
"La Biennale di Venezia. 57. esposizione internazionale d'arte. Partecipazioni nazionali."
Summary:Mirrored' is the catalogue of the eponymous exhibition at the Nordic Pavilion at the 57th Venice Biennale, featuring works by six artists from different generations: Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi 'Sleeping' Myllymäki, and Mika Taanila. The publication presents newly-commissioned essays for each of the artists, who all share an experimental approach. For the older generation, it takes the form of module-based sculptures, translations of textile crafts into computer animations, or performative actions with the camera as their instrument. Material-based processes and social issues also preoccupy the younger generation, whose cinematic montage techniques, sculptural displacements of spatial perception, or explorations of power relationships claim the pavilion?s open architecture. The use of the allegory of the mirror is intended to move the focus of the discussion away from the characterization of art in accordance with national boundaries. Instead, the emphasis is on the participating artists, and how their practices illuminate the various ways in which boundaries can be, and are, dissolved and crossed. The exhibition and this book function as a loop in which figuration, material, technology, and execution process gradually succeed one another.

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Call Number: N7008.6.M577 2017
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian