Anatomy live : performance and the operating theatre /
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| Imprint: | [Amsterdam] : Amsterdam University Press, ©2008. |
|---|---|
| Description: | 1 online resource (270 pages) : illustrations |
| Language: | English |
| Series: | MediaMatters MediaMatters. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11285749 |
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| 245 | 0 | 0 | |a Anatomy live : |b performance and the operating theatre / |c edited by Maaike Bleeker. |
| 260 | |a [Amsterdam] : |b Amsterdam University Press, |c ©2008. | ||
| 300 | |a 1 online resource (270 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a MediaMatters | |
| 500 | |a Selected papers presented at the conference "The Anatomical Theatre Revisited" in 2006. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Anatomy Live demonstrates how the implications of the history of anatomical theatre can be seen at work in the appearance of dancing and acting bodies on stage. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Prologue : men with glass bodies -- Introduction -- Performance documentation 1 : Holoman; Digital cadaver -- Digital cadavers and virtual dissection -- 'Who were you?' : the visible and the visceral -- Performance documentation 2 : excavations : fresh but rotten -- The anatomy lesson of Professor Moxham -- 'Be not faithless but believing' : illusion and doubt in the anatomy theatre -- Performance documentation 3 : De Anatomische Les -- Of dissection and technologies of culture in actor training programs : an example from 1960s West Germany -- Ocular anatomy, chiasm, and theatre architecture as a material phenomenology in early modern Europe -- Performance documentation 4 : Camillo ; Memo 4.0 : the cabinet of memories ; A tear donnor session -- Martin, Massumi, and the matrix -- Performance documentation 5 : sensing presence no. 1 : performing a hyperlink system -- 'Where are you now?': locating the body in contemporary performance -- Performance documentation 6 : Under my skin -- Anatomies of live art -- Performance documentation 7 : Crash -- Restaging the monstrous -- Delirium of the flesh : 'all the dead voices' in the space of the now -- Performance documentation 8 : Körper -- Operating theatres : body-bits and a post-apartheid aesthetics. | |
| 505 | 0 | |a Acknowledgements; Prologue Men with Glass Bodies; Introduction; Performance Documentation 1: Holoman; Digital Cadaver; Digital Cadavers and Virtual Dissection; 'Who Were You?': The Visible and the Visceral; Performance Documentation 2: Excavations : Fresh but Rotten; The Anatomy Lesson of Professor Moxham; 'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre; Performance Documentation 3: De Anatomische Les; Of Dissection and Technologies of Culture in Actor Training Programs -- an Example from 1960s West Germany. | |
| 505 | 8 | |a Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenologyin Early Modern EuropePerformance Documentation 4: Camillo -- Memo 4.0: The Cabinet of Memories -- A Tear Donnor Session; Martin, Massumi, and The Matrix; Performance Documentation 5: sensing presence no. 1: performing a hyperlink system; 'Where Are You Now?': Locating the Body in Contemporary Performance; Performance Documentation 6: Under My Skin; Anatomies of Live Art; Performance Documentation 7: Crash; Restaging the Monstrous; Delirium of the Flesh: 'All the Dead Voices' in the Space of the Now. | |
| 505 | 8 | |a Performance Documentation 8: KörperOperating Theatres: Body-bits and a Post-apartheid Aesthetics; Index. | |
| 546 | |a English. | ||
| 650 | 0 | |a Performance art |v Congresses. | |
| 650 | 0 | |a Theater |x History |v Congresses. | |
| 650 | 0 | |a Theater |x Philosophy |v Congresses. | |
| 650 | 7 | |a Mathematics and science. |2 bicssc | |
| 650 | 7 | |a Science: general issues. |2 bicssc | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a Theater |x Philosophy. |2 fast |0 (OCoLC)fst01149273 | |
| 653 | |a Popular science | ||
| 653 | |a Wetenschap algemeen | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 4 | |a Electronic books. | |
| 655 | 7 | |a Conference papers and proceedings. |2 fast |0 (OCoLC)fst01423772 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Bleeker, Maaike. | |
| 776 | 0 | 8 | |i Print version: |z 9789053565162 |
| 830 | 0 | |a MediaMatters. |0 http://id.loc.gov/authorities/names/no2008136313 | |
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| 856 | 4 | 0 | |u https://www.jstor.org/stable/10.2307/j.ctt46ms7q |y JSTOR |
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