Dancing across the page : narrative and embodied ways of knowing /
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| Author / Creator: | Barbour, Karen Nicole. |
|---|---|
| Imprint: | Bristol : Intellect, 2011. |
| Description: | 1 online resource (187 pages) : illustrations |
| Language: | English |
| Subject: | Dance. Performing arts. PERFORMING ARTS -- Theater -- General. Dance. Performing arts. Electronic books. Electronic books. |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11257803 |
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| 020 | |z 9781841504216 | ||
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| 100 | 1 | |a Barbour, Karen Nicole. | |
| 245 | 1 | 0 | |a Dancing across the page : |b narrative and embodied ways of knowing / |c Karen Nicole Barbour. |
| 260 | |a Bristol : |b Intellect, |c 2011. | ||
| 300 | |a 1 online resource (187 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Being: Introductions -- Becoming: Feminist Choreography and Dance Research -- Dancing Across the Page: Representing Research Through Narrative -- Dreaming Yourself Anew: Choreographic Strategies in Women's Solo Contemporary Dance -- Knowing Differently, Living Creatively: Embodied Ways of Knowing -- Standing Strong: Pedagogical Approaches to Affirming Identity -- Improvising: Dance and Everyday Life -- Performing Identity: Tattoos, Dreadlocks and Feminism in Everyday Life -- Imaginings: Reaching for a Vision. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a An innovative exploration of understanding through dance, Dancing across the Page draws on the frameworks of phenomenology, feminism, and postmodernism to offer readers an understanding of performance studies that is grounded in personal narrative and lived experience. Through accounts of contemporary dance making, improvisation, and dance education, Karen Barbour explores a diversity of themes, including power; activism; and cultural, gendered, and personal identity. An intimate yet rigorous investigation of creativity in dance, Dancing across the Page emphasizes embodied knowledge and imagination as a basis for creative action in the world. | |
| 650 | 0 | |a Dance. |0 http://id.loc.gov/authorities/subjects/sh85035659 | |
| 650 | 0 | |a Performing arts. |0 http://id.loc.gov/authorities/subjects/sh85099818 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402 | |
| 650 | 7 | |a Performing arts. |2 fast |0 (OCoLC)fst01057887 | |
| 655 | 0 | |a Electronic books. | |
| 655 | 4 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Barbour, Karen. |t Dancing Across the Page : Narrative and Embodied Ways of Knowing. |d Bristol : Intellect, ©2011 |z 9781841504216 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=1135592 |y eBooks on EBSCOhost |
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| 928 | |t Library of Congress classification |a GV1589 .B373 2011eb |l Online |c UC-FullText |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=1135592 |z eBooks on EBSCOhost |g ebooks |i 12350507 | ||