From film adaptation to post-celluloid adaptation : rethinking the transition of popular narratives and characters across old and new media /

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Bibliographic Details
Author / Creator:Constandinides, Costas.
Imprint:New York : Continuum, 2010.
Description:1 online resource (166 pages) : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11244808
Hidden Bibliographic Details
ISBN:9781441188243
144118824X
9781628927931
1628927933
1282977717
9781282977716
9786612977718
661297771X
1441106081
9781441106087
9781441103802
1441103805
9781441106087
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
Includes filmography.
English.
Print version record.
Summary:The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives an d c haracters along with other forms of convergence such as the Internet. While 'New Media' is a broa d c oncept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a th.
Other form:Print version: Constandinides, Costas. From film adaptation to post-celluloid adaptation. New York : Continuum, 2010 9781441103802

MARC

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245 1 0 |a From film adaptation to post-celluloid adaptation :  |b rethinking the transition of popular narratives and characters across old and new media /  |c Costas Constandinides. 
260 |a New York :  |b Continuum,  |c 2010. 
300 |a 1 online resource (166 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
504 |a Includes bibliographical references and index. 
504 |a Includes filmography. 
505 0 |a Introduction -- Toward the intertextual dialogism approach -- Toward post-celluloid adaptation -- From the prediction of crime to the prevision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation -- Conclusion. 
520 |a The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives an d c haracters along with other forms of convergence such as the Internet. While 'New Media' is a broa d c oncept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a th. 
588 0 |a Print version record. 
546 |a English. 
650 0 |a Film adaptations  |x History and criticism. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
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655 0 |a Electronic book 
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