Everyone can write : essays toward a hopeful theory of writing and teaching writing /

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Bibliographic Details
Author / Creator:Elbow, Peter.
Imprint:New York : Oxford University Press, 2000.
Description:1 online resource (xxiv, 475 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11200760
Hidden Bibliographic Details
ISBN:1423741226
9781423741220
9780195104158
0195104153
1423729390
9781423729396
1280452579
9781280452574
9780195104165
0195104161
9781602561144
1602561141
160256115X
9781602561151
9780195355871
0195355873
0195104153
0195104161
9786610452576
6610452571
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 471-475).
English.
Print version record.
Summary:With Writing without Teachers (OUP 1975) and Writing with Power (OUP 1995) Peter Elbow revolutionized the teaching of writing. His process method-and its now commonplace "free writing" techniques-liberated generations of students and teachers from the emphasis on formal principles of grammar that had dominated composition pedagogy. This new collection of essays brings together the best of Elbow's writing since the publication of Embracing Contraries in 1987. The volume includes sections on voice, the experience of writing, teaching, and evaluation. Implicit throughout is Elbow's commitment to humanizing the profession, and his continued emphasis on the importance of binary thinking and nonadversarial argument. The result is a compendium of a master teacher's thought on the relation between good pedagogy and good writing; it is sure to be of interest to all professional teachers of writing, and will be a valuable book for use in composition courses at all levels.
Other form:Print version: Elbow, Peter. Everyone can write. New York : Oxford University Press, 2000 0195104153 0195104161

MARC

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100 1 |a Elbow, Peter.  |0 http://id.loc.gov/authorities/names/n81013203 
245 1 0 |a Everyone can write :  |b essays toward a hopeful theory of writing and teaching writing /  |c Peter Elbow. 
260 |a New York :  |b Oxford University Press,  |c 2000. 
300 |a 1 online resource (xxiv, 475 pages) 
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504 |a Includes bibliographical references (pages 471-475). 
505 0 0 |t Premises and Foundations --  |t Illiteracy at Oxford and Harvard: Reflections on the Inability to Write --  |t A Map of Writing in Terms of Audience and Response --  |t The Uses of Binary Thinking --  |t Fragments --  |t The Believing Game--A Challenge after Twenty-Five Years --  |t The Generative Dimension --  |t Freewriting and the Problem of Wheat and Tares --  |t Closing My Eyes as I Speak: An Argument for Ignoring Audience --  |t Toward a Phenomenology of Freewriting --  |t Wrongness and Felt Sense --  |t The Neglect and Rediscovery of Invention --  |t Form and Content as Sources of Creation --  |t Speech, Writing, and Voice --  |t The Shifting Relationships Between Speech and Writing --  |t Voice in Literature --  |t Silence: A Collage --  |t What Is Voice in Writing? --  |t On the Concept of Voice --  |t Audible Voice: How Much Do We Hear the Text? --  |t Voice in Texts as It Relates to Teaching --  |t Discourses --  |t Reflections on Academic Discourse: How It Relates to Freshmen and Colleagues --  |t In Defense of Private Writing: Consequences for Theory and Research --  |t The War Between Reading and Writing--and How to End It --  |t Your Cheatin' Art: A Collage --  |t Can Personal Expressive Writing Do the Work of Academic Writing? --  |t Teaching --  |t Inviting the Mother Tongue: Beyond "Mistakes," "Bad English," and "Wrong Language" --  |t High Stakes and Low Stakes in Assigning and Responding to Writing --  |t Breathing Life into the Text --  |t Using the Collage for Collaborative Writing --  |t Being a Writer vs. Being an Academic: A Conflict in Goals --  |t Separating Teaching from Certifying. 
588 0 |a Print version record. 
520 |a With Writing without Teachers (OUP 1975) and Writing with Power (OUP 1995) Peter Elbow revolutionized the teaching of writing. His process method-and its now commonplace "free writing" techniques-liberated generations of students and teachers from the emphasis on formal principles of grammar that had dominated composition pedagogy. This new collection of essays brings together the best of Elbow's writing since the publication of Embracing Contraries in 1987. The volume includes sections on voice, the experience of writing, teaching, and evaluation. Implicit throughout is Elbow's commitment to humanizing the profession, and his continued emphasis on the importance of binary thinking and nonadversarial argument. The result is a compendium of a master teacher's thought on the relation between good pedagogy and good writing; it is sure to be of interest to all professional teachers of writing, and will be a valuable book for use in composition courses at all levels. 
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