Theology as improvisation : a study in the musical nature of theological thinking /
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Author / Creator: | Crawford, Nathan. |
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Imprint: | Boston : Brill, 2013. |
Description: | 1 online resource. |
Language: | English |
Series: | Studies in systematic theology, 1876-1518 ; v. 13 Studies in systematic theology ; v. 13. |
Subject: | |
Format: | E-Resource Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11176040 |
Table of Contents:
- Machine generated contents note: A. Incomplete Account of Thinking God in the Christian Tradition
- B. Problem
- C. My Argument (or, a Modestly Proposed Solution)
- D. Brief Excursus
- Orienting Terms
- 1. Heidegger and the Question of Thinking
- A. Pursuing the Path of Thinking
- B. "Step Back"
- Opening the Path to Being
- C. Thinking as Attunement
- D. Conclusion
- 2. Derrida and Attunement: Playing in a Deconstructive Mode
- A. Deconstruction as Attunement
- B. Hospitality as Attunement
- C. Risking Interpretation
- The Example of Translation
- D. Concluding Remarks
- 3. Finding the Groove: Attunement as Musical Way of Thinking
- A. Centrality of Listening
- B. Place of Attunement in Improvisation
- C. Improvisation as Transformation: Breaking the Musical Form
- D. Conclusion
- 4. Attunement and Theology: Resonations with David Tracy
- A. Theology as Conversation: The Problem of Totality and the Task of Theology
- B. Naming God: The Turn to Form through the Fragment
- C. Gathering: Rethinking the "System" of Theology
- D. Excursus: An Ethics of Resistance
- E. Conclusion
- 5. Theological Example: Augustine's Unstructuring of Theological Form
- A. Basis of Theology: De Musica and the Basis of Theology
- B. Finding the Groove: Rhetoric as Form in De Doctrina Christiana
- C. Improvising Freely: The Form of the Confessions
- D. Concluding Remarks
- Conclusion: Well, Sort of
- A. Relating the Parts to the Whole
- B. Emphases for Theology.