Hidden Bibliographic Details
ISBN: | 0511020422 9780511020421 0511029187 9780511029189 9780521807494 0521807492 9780511606342 0511606346 9780511044472 051104447X 0511157878 9780511157875 0521002095 9780521002097 9786610419319 6610419310 1107124565 9781107124561 0511323603 9780511323607 1280419318 9781280419317 0511176996 9780511176999
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Digital file characteristics: | data file
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Notes: | Includes bibliographical references (pages 231-235) and index. English. Print version record.
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Summary: | "Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html.
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Other form: | Print version: Beach, Christopher. Class, language, and American film comedy. Cambridge ; New York : Cambridge University Press, 2002 0521807492
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