After Dickens : reading, adaptation, and performance /

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Bibliographic Details
Author / Creator:Glavin, John.
Imprint:Cambridge [England] ; New York : Cambridge University Press, 1999.
Description:1 online resource (xiii, 226 pages)
Language:English
Series:Cambridge studies in nineteenth-century literature and culture ; 20
Cambridge studies in nineteenth-century literature and culture ; 20.
Subject:Dickens, Charles, -- 1812-1870 -- Knowledge -- Performing arts.
Dickens, Charles, -- 1812-1870 -- Adaptations.
Dickens, Charles, -- 1812-1870
Dickens, Charles, -- (1812-1870) -- Adaptations -- Histoire et critique.
Dickens, Charles, -- (1812-1870) -- Critique et interprétation.
Dickens, Charles.
Performing arts -- Great Britain -- History -- 19th century.
Performing arts in literature.
Stage adaptations.
LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh.
Performing arts.
Performing arts in literature.
Stage adaptations.
Aufführung
Theater
Toneelbewerkingen.
Toneel.
Roman.
Great Britain.
Electronic books.
Electronic books.
Theatrical adaptations.
Adaptations.
History.
Theatrical adaptations.
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11113073
Hidden Bibliographic Details
ISBN:0511003706
9780511003707
0511035985
9780511035982
0511051212
9780511051210
0511117132
9780511117138
9780511484810
051148481X
9780521633222
0521633222
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 216-222) and index.
Print version record.
Summary:After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations.
Other form:Print version: Glavin, John. After Dickens. Cambridge [England] ; New York : Cambridge University Press, 1999 0521633222
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260 |a Cambridge [England] ;  |a New York :  |b Cambridge University Press,  |c 1999. 
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490 1 |a Cambridge studies in nineteenth-century literature and culture ;  |v 20 
504 |a Includes bibliographical references (pages 216-222) and index. 
520 |a After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. 
505 0 |a pt. I. Set up. Dickens, adaptation and Grotowski. ... as upon a theatre -- pt. II. Flashback. ... to be a Shakespeare. Exit: "the sanguine mirage" -- pt. III. Resolution. How to do it. Coda. 
588 0 |a Print version record. 
600 1 0 |a Dickens, Charles,  |d 1812-1870  |x Knowledge  |x Performing arts. 
600 1 0 |a Dickens, Charles,  |d 1812-1870  |v Adaptations. 
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600 1 7 |a Dickens, Charles,  |d (1812-1870)  |x Adaptations  |x Histoire et critique.  |2 ram 
600 1 7 |a Dickens, Charles,  |d (1812-1870)  |x Critique et interprétation.  |2 ram 
600 1 7 |a Dickens, Charles.  |2 swd 
650 0 |a Performing arts  |z Great Britain  |x History  |y 19th century. 
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