A spy in the enemy's country : the emergence of modern Black literature /

Saved in:
Bibliographic Details
Author / Creator:Petesch, Donald A.
Edition:1st ed.
Imprint:Iowa City : University of Iowa Press, 1989.
Description:1 online resource (xi, 287 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11110306
Hidden Bibliographic Details
ISBN:1587291851
9781587291852
0877453225
0877452237
9780877452232
9780877453222
Notes:Includes bibliographical references and index.
Restrictions unspecified
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:In Part One I examine the literary, historical, and social contexts within which the emerging Black literature took root. Conditions encouraged certain qualities in the literature, qualities which have persisted as racism has persisted: 1) a collective point of view; 2) the mimetic mode; 3) a sensitivity to the play of power; 4) a consciousness of the fragility of the self; 5) a predilection for the moral imperative; and 6) a recurrence of the tactic of masking. The preoccupation with identity and the self, among the writers considered in Part Two, grows out of the pressures explored in Part One. - p. x.
Other form:Print version: Petesch, Donald A. Spy in the enemy's country. 1st ed. Iowa City : University of Iowa Press, 1989 0877452237
Review by Choice Review

Petesch (University of Pittsburgh) presents an intellectual and historical study of black American literature of the late 19th and 20th centuries. From early slave narratives to works of the first half of the 20th century, Petesch demonstrates how black literature reflects the conditions imposed upon black writers and examines the social consciousness of both races that was emerging in the 20th century. Part 1 of this two-part study establishes the social and historical contexts wherein 19th-century black literature must be placed. Using Frederick Douglass's Narrative to illustrate the black collective consciousness and Thoreau's Walden to illustrate the individualistic white consciousness of the 19th century, Petesch establishes a sharp contrast between the emerging black and the dominant white literature. Part 2 considers the implications of the social and historical contexts for black authors such as Charles W. Chesnutt, James Weldon Johnson, Wallace Thurman, Nella Larsen, and Jean Toomer. In separate chapters, Petesch examines the works of these authors as illustrative of society's pressures on blacks both to deny their blackness and to take pride in their black heritage. In this context emerged a literature of masking, of self-hatred, of self-denial, of racial confusion, of "passing." Petesch cogently argues that no other major literature has had such an unusual beginning. This work will be valuable for students of black literature and for students of history and cultural diversity. -R. Hearn, Lincoln University (MO)

Copyright American Library Association, used with permission.
Review by Choice Review