|
|
|
|
| LEADER |
00000cam a2200000Ii 4500 |
| 001 |
11000904 |
| 003 |
ICU |
| 005 |
20170606143824.7 |
| 008 |
160406s2016 enka b 100 0 eng d |
| 019 |
|
|
|a 953623049
|
| 020 |
|
|
|a 9781909492431
|
| 020 |
|
|
|a 1909492434
|
| 035 |
|
|
|a (OCoLC)946478333
|z (OCoLC)953623049
|
| 040 |
|
|
|a BTCTA
|b eng
|e rda
|c BTCTA
|d BDX
|d MMX
|d OCLCO
|d MMX
|d FSJ
|d OCLCF
|d NGA
|d QCL
|d YDX
|d YBM
|d UAB
|d COD
|
| 050 |
|
4 |
|a ND1630
|b .A67 2016
|
| 082 |
0 |
4 |
|a 751.62
|2 23
|
| 111 |
2 |
|
|a Appearance and Reality: Examining Colour Change in Paintings (Conference)
|d (2015 :
|c Tate Britain (Gallery))
|0 http://id.loc.gov/authorities/names/no2017027889
|1 http://viaf.org/viaf/22147095075425081722
|
| 245 |
1 |
0 |
|a Colour change in paintings /
|c edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent.
|
| 264 |
|
1 |
|a London :
|b Archetype Publications :
|b In association with the Icon Paintings Group,
|c 2016.
|
| 300 |
|
|
|a ix, 130 pages :
|b illustrations (chiefly color) ;
|c 25 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
| 336 |
|
|
|a still image
|b sti
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/sti
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
|
| 500 |
|
|
|a "The papers in this volume were presented at the Icon Publishing Group conference 'Appearance and Reality: Examining Colour Change in Paintings' held at Tate Britain on 9 October 2015."--Page vii.
|
| 504 |
|
|
|a Includes bibliographical references.
|
| 520 |
|
|
|a "The papers in this volume were presented at the Icon Publishing Group conference 'Appearance and Reality: Examining Colour Change in Paintings' which attempted to present an overview of the current state of research related to colour change in paintings, ranging from Old Masters to modern art. The contributors addressed not only analytical investigation into changes in painting materials, but also methods of assessing colour change, lighting paintings, alternative methods of display, and different approaches to the restoration of paintings whose colour and tonality have shifted."--Page 4 of cover.
|
| 650 |
|
0 |
|a Painting
|x Conservation and restoration
|v Congresses.
|
| 650 |
|
0 |
|a Pigments
|x Deterioration
|v Congresses.
|
| 650 |
|
0 |
|a Pigments
|x Preservation
|v Congresses.
|
| 650 |
|
0 |
|a Artists' materials
|v Congresses.
|
| 650 |
|
7 |
|a Artists' materials.
|2 fast
|0 http://id.worldcat.org/fast/fst00817674
|
| 650 |
|
7 |
|a Pigments
|x Preservation.
|2 fast
|0 http://id.worldcat.org/fast/fst01063997
|
| 650 |
|
7 |
|a Painting
|x Conservation and restoration.
|2 fast
|0 http://id.worldcat.org/fast/fst01050580
|
| 655 |
|
7 |
|a Conference papers and proceedings.
|2 fast
|0 http://id.worldcat.org/fast/fst01423772
|
| 700 |
1 |
|
|a Clarricoates, Rhiannon,
|e editor.
|0 http://id.loc.gov/authorities/names/no2016111347
|1 http://viaf.org/viaf/297148995902659750301
|
| 700 |
1 |
|
|a Dowding, Helen,
|e editor.
|0 http://id.loc.gov/authorities/names/no2016111527
|1 http://viaf.org/viaf/316147266994935482972
|
| 700 |
1 |
|
|a Gent, Alexandra,
|e editor.
|0 http://id.loc.gov/authorities/names/no2015062330
|1 http://viaf.org/viaf/1218149296266880670004
|
| 710 |
2 |
|
|a Institute of Conservation,
|e sponsoring body.
|0 http://id.loc.gov/authorities/names/nb2006004339
|1 http://viaf.org/viaf/149178950
|
| 710 |
2 |
|
|a Tate Britain (Gallery),
|e host institution.
|0 http://id.loc.gov/authorities/names/nr00020808
|1 http://viaf.org/viaf/138978031
|
| 903 |
|
|
|a HeVa
|
| 929 |
|
|
|a cat
|
| 999 |
f |
f |
|i 5ca48983-6a30-505c-b91a-410706f5ec59
|s f3b2c857-d4fd-5750-9809-4db703231533
|
| 928 |
|
|
|t Library of Congress classification
|a ND1630 .A67 2016
|l JRL
|c JRL-Gen
|i 9488574
|
| 927 |
|
|
|t Library of Congress classification
|a ND1630 .A67 2016
|l JRL
|c JRL-Gen
|e KRES
|b 113477712
|i 9740042
|
