Georgiana Houghton : spirit drawings /

Saved in:
Bibliographic Details
Author / Creator:Houghton, Georgiana, 1814-1884.
Imprint:London : The Courtauld Gallery, 2016.
Description:83 pages : color illustrations ; 21 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10819040
Hidden Bibliographic Details
Varying Form of Title:Spirit drawings
Other authors / contributors:Grant, Simon, 1967- essay writer.
Larsen, Lars Bang, 1972- essay writer.
Pasi, Marco, essay writer.
Claerbergen, Ernst Vegelin van, essay writer.
Wright, Barnaby, essay writer.
Courtauld Institute Galleries.
ISBN:9781911300021
1911300024
Notes:Catalog of an exhibition held at the Courtauld Gallery, June 16-September 11, 2016. Organised in collaboration with Monash University Museum of Art.
Includes bibliographical references.
Summary:Georgiana Houghton was a spiritualist medium who, in the 1860s and 1870s, produced a remarkable series of largely abstract watercolours. Detailed explanations on the back of the works declare that her hand was guided by various spirits, including several Renaissance artists and higher angelic beings. In 1871 Houghton rented a gallery in Old Bond Street and presented her 'spirit drawings' to a startled London audience. One critic pronounced it to be "the most astonishing exhibition in London at the present moment". The visual power of the works and their pioneering use of abstract forms make them remarkable products of Victorian culture and fascinating precursors to later concerns of modern art. However, they are almost completely unknown today. This publication, which accompanies an exhibition at The Courtauld Gallery, is the first devoted to Houghton's spirit drawings and brings them to light after 150 years in obscurity--Back cover.
Description
Summary:The birth of abstract art is typically associated with Kandinsky and others in the early 20th century. Houghton's work, however, predates this momentous artistic breakthrough by half a century. In this respect, she anticipates the Swedish artist Hilma af Klint (1862-1944), whose work is now appreciated for its significance in the early history of abstraction. Houghton was a prominent figure of the early spiritualist movement in Victorian England, which played a significant role in various spheres of 19th century culture and was later championed by such influential figures as Sherlock Holmes author Sir Arthur Conan Doyle. Spiritualism emerged as the belief that contact with a spirit realm was possible and that such communication could bring one closer to God. Houghton, a trained artist as well as a medium, pioneered the use of drawing as a method of channeling and expressing communications with spirit entities. During the 1860s and 1870s, she produced a series of unprecedented abstract watercolors as part of her practice as a spirit medium. Houghton called these works 'spirit drawings'. Remarkably complex, layered watercolors and technically highly accomplished, their bold colors and fluid forms have a mesmerizing and deeply absorbing effect. Detailed inscriptions on the back of the works declare that her hand was guided by various spirits, including family members, several Renaissance artists, such as Titian and Correggio, and higher angelic beings. Although produced in a very different context, Houghton's abstract works have close connections to the ways in which 20th Century artists developed abstract languages of art to transcend the everyday realm of representation and consciousness. In 1871 Houghton rented a prestigious gallery space in Bond Street and presented 55 of her spirit drawings to a perplexed London audience. The critic from The Era newspaper pronounced it to be "the most astonishing exhibition in London at the present moment." The Daily News likened the works to "tangled threads of colored wool" and concluded that "they deserve to be seen as the most extraordinary and instructive example of artistic aberration." Georgiana Houghton: Spirit Drawings will present more than 20 of these remarkable works. Unlike anything typically associated with Victorian culture, it will be a fascinating opportunity to consider their place within the history of art; both as products of their times and as precursors of radical 20th Century art.
Item Description:Catalog of an exhibition held at the Courtauld Gallery, June 16-September 11, 2016. Organised in collaboration with Monash University Museum of Art.
Physical Description:83 pages : color illustrations ; 21 cm
Bibliography:Includes bibliographical references.
ISBN:9781911300021
1911300024