Interdisciplinary performance : reformatting reality /

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Bibliographic Details
Author / Creator:Lushetich, Natasha, author.
Imprint:London ; New York : Palgrave Macmillan, 2016.
Description:viii, 284 pages ; 24 cm
Language:English
Subject:Performing arts -- Philosophy.
Performance art -- Philosophy.
PERFORMING ARTS -- General.
PERFORMING ARTS -- Dance -- General.
PERFORMING ARTS -- Theater -- General.
Performing arts -- Philosophy.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10804164
Hidden Bibliographic Details
ISBN:9781137335029
1137335025
9781137335012
1137335017
Notes:Includes bibliographical references and index.
Summary:"Spanning a hundred years (1910-2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of Performance Studies, Performing Arts, Fine and Visual Arts and Cultural Studies."--
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100 1 |a Lushetich, Natasha,  |e author.  |0 http://id.loc.gov/authorities/names/nb2014021586  |1 http://viaf.org/viaf/310718264 
245 1 0 |a Interdisciplinary performance :  |b reformatting reality /  |c Natasha Lushetich. 
264 1 |a London ;  |a New York :  |b Palgrave Macmillan,  |c 2016. 
300 |a viii, 284 pages ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
337 |a unmediated  |b n  |2 rdamedia  |0 http://id.loc.gov/vocabulary/mediaTypes/n 
338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
520 |a "Spanning a hundred years (1910-2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of Performance Studies, Performing Arts, Fine and Visual Arts and Cultural Studies."--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: -- Introduction PART I: THE DYNAMIC TURN 1. Vital Action 2. The World Becomes 3. The Quest for Authenticity PART IIl THE DECONSTRUCTIVE TURN 4. Against Commodity Fetishism 5. The Way of the Body 6. Resisting Determination, Resisting Interpretation 7. Biopower and Female Writing 8. Identity Politics PART III: THE DIGITAL TURN 9. Mixing Reality 10. Ludic (H)activism11. Beyond the Human-Non-Human Divide Epilogue. 
650 0 |a Performing arts  |x Philosophy.  |0 http://id.loc.gov/authorities/subjects/sh2010105512 
650 0 |a Performance art  |x Philosophy. 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 7 |a Performing arts  |x Philosophy.  |2 fast  |0 http://id.worldcat.org/fast/fst01057915 
903 |a HeVa 
929 |a cat 
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928 |t Library of Congress classification  |a PN1584 .L87 2016  |l JRL  |c JRL-Gen  |i 9172114 
927 |t Library of Congress classification  |a PN1584 .L87 2016  |l JRL  |c JRL-Gen  |e trim  |b 112801235  |i 9618652