A listener-sensitive analytic approach to Elliott Carter's late chamber music, 1990--2012 /
Saved in:
| Author / Creator: | Smucker, Peter Christian Wyse, author. |
|---|---|
| Imprint: | 2015. Ann Arbor : ProQuest Dissertations & Theses, 2015 |
| Description: | 1 electronic resource (295 pages) |
| Language: | English |
| Format: | E-Resource Dissertations |
| Local Note: | School code: 0330 |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10773407 |
MARC
| LEADER | 00000ntm a22000003i 4500 | ||
|---|---|---|---|
| 001 | 10773407 | ||
| 003 | ICU | ||
| 005 | 20161130092220.5 | ||
| 007 | cr un|---||||| | ||
| 008 | 160217s2015 miu||||||m |||||||eng d | ||
| 020 | |a 9781339321073 | ||
| 035 | |a (MiAaPQD)AAI3740115 | ||
| 035 | |a AAI3740115 | ||
| 040 | |a MiAaPQD |b eng |c MiAaPQD |e rda | ||
| 100 | 1 | |a Smucker, Peter Christian Wyse, |e author. | |
| 245 | 1 | 2 | |a A listener-sensitive analytic approach to Elliott Carter's late chamber music, 1990--2012 / |c Smucker, Peter Christian Wyse. |
| 260 | |c 2015. | ||
| 264 | 1 | |a Ann Arbor : |b ProQuest Dissertations & Theses, |c 2015 | |
| 300 | |a 1 electronic resource (295 pages) | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a computer |b c |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/c | ||
| 338 | |a online resource |b cr |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/cr | ||
| 500 | |a Advisors: Steven Rings Committee members: Seth Brodsky; Lawrence Zbikowski. | ||
| 502 | |b Ph.D. |c The University of Chicago, Division of the Humanities, Department of Music |d 2015. | ||
| 510 | 4 | |a Dissertation Abstracts International, |c Volume: 77-05(E), Section: A. | |
| 520 | |a This dissertation develops a listener-sensitive analytic approach to Elliott Carter's recent music. Carter's increased output of chamber music since 1990 coincides with a reduced harmonic vocabulary. Rather than beginning with theoretical considerations of musical parameters, I take a cue from the composer himself and develop an analytical method based on perspicuous aural events. In this dissertation, I identify common aural phenomena in Carter's late chamber works and create an approach to mediate between an experiential perspective of his music and score-extracted analyses. Chapter 1, "Listening to Carter," presents a hypothetical listener's experience of Carter's music. Chapter 2, "Aural Cues and Textures," looks specifically at salient events in Carter's music. Chapter 3, "Form and Melody: Aural Boundaries, Ambiguities, Shifts, and Constancy," examines formal relationships that emerge from the phenomena defined in Chapter 2. A synthesis of the concepts in Chapters 2 and 3 with current analytical tools is the goal of Chapter 4. A final Chapter 5 is an analytic essay on one specific piece, Carter's Clarinet Quintet (2007), which demonstrates application of the method established in Chapters 2--4. | ||
| 546 | |a English | ||
| 590 | |a School code: 0330 | ||
| 690 | |a Music. | ||
| 710 | 2 | |a University of Chicago. |e degree granting institution. |0 http://id.loc.gov/authorities/names/n79058404 |1 http://viaf.org/viaf/143657677 | |
| 720 | 1 | |a Steven Rings |e degree supervisor. | |
| 856 | 4 | 0 | |u http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3740115 |y ProQuest |
| 856 | 4 | 0 | |u http://dx.doi.org/10.6082/M1TT4NWK |y Knowledge@UChicago |
| 903 | |a HeVa | ||
| 929 | |a eresource | ||
| 999 | f | f | |i c31765f2-3f32-58e2-82cb-a4ccd5e9eabf |s c185c4ef-a024-5c27-9887-3e18655f9d46 |
| 928 | |t Library of Congress classification |l Online |c UC-FullText |u http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3740115 |z ProQuest |i 9079633 | ||
| 928 | |t Library of Congress classification |l Online |c UC-FullText |u http://dx.doi.org/10.6082/M1TT4NWK |z Knowledge@UChicago |g ebooks |i 9371048 | ||