The world heard: Sound, film theory and the cinematic experience /
Saved in:
Author / Creator: | Liang, Dong, author. |
---|---|
Imprint: | 2015. Ann Arbor : ProQuest Dissertations & Theses, 2015 |
Description: | 1 electronic resource (260 pages) |
Language: | English |
Format: | E-Resource Dissertations |
Local Note: | School code: 0330 |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10773259 |
MARC
LEADER | 00000ntm a22000003i 4500 | ||
---|---|---|---|
001 | 10773259 | ||
005 | 20230623175118.9 | ||
007 | cr un|---||||| | ||
008 | 151222s2015 miu||||||m |||| ||eng d | ||
003 | ICU | ||
020 | |a 9781339080116 | ||
035 | |a (MiAaPQD)AAI3724500 | ||
040 | |a MiAaPQD |b eng |c MiAaPQD |e rda | ||
100 | 1 | |a Liang, Dong, |e author. | |
245 | 1 | 4 | |a The world heard: Sound, film theory and the cinematic experience / |c Liang, Dong. |
260 | |c 2015. | ||
264 | 1 | |a Ann Arbor : |b ProQuest Dissertations & Theses, |c 2015 | |
300 | |a 1 electronic resource (260 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
500 | |a Advisors: TOM GUNNING Committee members: JAMES LASTRA; YURI TSIVIAN. | ||
502 | |b Ph.D. |c The University of Chicago, Division of the Humanities, Department of Cinema and Media Studies |d 2015. | ||
510 | 4 | |a Dissertation Abstracts International, |c Volume: 77-02(E), Section: A. | |
520 | |a The World Heard seeks to offer a significant reorientation of how we theorize film sound and how we construct the history of film sound. It does this by proposing a theory of film sound centered around the notion of filmic world and by developing a conceptual framework that theorizes how the filmic world is heard. I focus on three prominent ways of auditory encountering in the cinema: audiovisual diegesis, embodying space, and perceived authenticity. Being primarily defined as theoretical lenses, these three topics also act as historical trajectories of film sound where the issues of mode of perception, technological implementation and stylistic evolution are closely intertwined. | ||
546 | |a English | ||
590 | |a School code: 0330 | ||
690 | |a Film studies. | ||
710 | 2 | |a University of Chicago. |e degree granting institution. | |
720 | 1 | |a TOM GUNNING |e degree supervisor. | |
856 | 4 | 0 | |u http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3724500 |y ProQuest |
035 | |a AAI3724500 | ||
929 | |a eresource | ||
999 | f | f | |i d372570e-fc29-5ec6-b0d7-747162c12007 |s 5d7b5510-524e-54a8-9654-2f56616aaed2 |
928 | |t Library of Congress classification |l Online |c UC-FullText |u http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3724500 |z ProQuest |i 9079486 |