The world heard: Sound, film theory and the cinematic experience /

Saved in:
Bibliographic Details
Author / Creator:Liang, Dong, author.
Imprint:2015.
Ann Arbor : ProQuest Dissertations & Theses, 2015
Description:1 electronic resource (260 pages)
Language:English
Format: E-Resource Dissertations
Local Note:School code: 0330
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10773259
Hidden Bibliographic Details
Other authors / contributors:University of Chicago. degree granting institution.
ISBN:9781339080116
Notes:Advisors: TOM GUNNING Committee members: JAMES LASTRA; YURI TSIVIAN.
Dissertation Abstracts International, Volume: 77-02(E), Section: A.
English
Summary:The World Heard seeks to offer a significant reorientation of how we theorize film sound and how we construct the history of film sound. It does this by proposing a theory of film sound centered around the notion of filmic world and by developing a conceptual framework that theorizes how the filmic world is heard. I focus on three prominent ways of auditory encountering in the cinema: audiovisual diegesis, embodying space, and perceived authenticity. Being primarily defined as theoretical lenses, these three topics also act as historical trajectories of film sound where the issues of mode of perception, technological implementation and stylistic evolution are closely intertwined.

MARC

LEADER 00000ntm a22000003i 4500
001 10773259
005 20230623175118.9
007 cr un|---|||||
008 151222s2015 miu||||||m |||| ||eng d
003 ICU
020 |a 9781339080116 
035 |a (MiAaPQD)AAI3724500 
040 |a MiAaPQD  |b eng  |c MiAaPQD  |e rda 
100 1 |a Liang, Dong,  |e author. 
245 1 4 |a The world heard: Sound, film theory and the cinematic experience /  |c Liang, Dong. 
260 |c 2015. 
264 1 |a Ann Arbor :  |b ProQuest Dissertations & Theses,  |c 2015 
300 |a 1 electronic resource (260 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Advisors: TOM GUNNING Committee members: JAMES LASTRA; YURI TSIVIAN. 
502 |b Ph.D.  |c The University of Chicago, Division of the Humanities, Department of Cinema and Media Studies  |d 2015. 
510 4 |a Dissertation Abstracts International,  |c Volume: 77-02(E), Section: A. 
520 |a The World Heard seeks to offer a significant reorientation of how we theorize film sound and how we construct the history of film sound. It does this by proposing a theory of film sound centered around the notion of filmic world and by developing a conceptual framework that theorizes how the filmic world is heard. I focus on three prominent ways of auditory encountering in the cinema: audiovisual diegesis, embodying space, and perceived authenticity. Being primarily defined as theoretical lenses, these three topics also act as historical trajectories of film sound where the issues of mode of perception, technological implementation and stylistic evolution are closely intertwined. 
546 |a English 
590 |a School code: 0330 
690 |a Film studies. 
710 2 |a University of Chicago.  |e degree granting institution. 
720 1 |a TOM GUNNING  |e degree supervisor. 
856 4 0 |u http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3724500  |y ProQuest 
035 |a AAI3724500 
929 |a eresource 
999 f f |i d372570e-fc29-5ec6-b0d7-747162c12007  |s 5d7b5510-524e-54a8-9654-2f56616aaed2 
928 |t Library of Congress classification  |l Online  |c UC-FullText  |u http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3724500  |z ProQuest  |i 9079486