Intersecting film, music, and queerness /

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Bibliographic Details
Author / Creator:Dubowsky, Jack Curtis, author.
Imprint:Houndmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2016.
©2016
Description:viii, 266 pages : illustrations ; 23 cm.
Language:English
Series:Palgrave Studies in Audio-Visual Culture
Palgrave studies in audio-visual culture.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10768712
Hidden Bibliographic Details
ISBN:9781137454201
1137454202
9781137454225
9781137454218
Notes:Includes bibliographical references (pages 238-255) and index.
Summary:"Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship"--

Regenstein, Bookstacks

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Call Number: PN1995.9.H55D83 2016
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